OPENING UP-Laurie Freitag > EXHIBITION #2
EXHIBITION #2
MASK CHECK, HELMET CHECK, BUNNY CHECK by Harry Longstreet
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(Click on image for larger view)
Harry Longstreet is retired after twenty-five years as a writer, producer and director of filmed entertainment, primarily for television.
He’s always looking for images that speak to the human condition and the world around him. He favors ambient light and unposed, unaware subjects. In the last fifteen years, he’s had a number of one-man shows, and his work has appeared in more than two hundred national and international juried exhibitions.
Longstreet is twice a Single Image Merit Award recipient from Black & White Magazine and twice a Single Image Merit Award winner from Color Magazine. In 2013, he was awarded the Gold Medal (monochrome) in the International Varna Salon, and in 2014, he took Best in Show in the annual CVG Washington State competition and in 2017, First Place-Photography.
www.harrylongstreet.com
He’s always looking for images that speak to the human condition and the world around him. He favors ambient light and unposed, unaware subjects. In the last fifteen years, he’s had a number of one-man shows, and his work has appeared in more than two hundred national and international juried exhibitions.
Longstreet is twice a Single Image Merit Award recipient from Black & White Magazine and twice a Single Image Merit Award winner from Color Magazine. In 2013, he was awarded the Gold Medal (monochrome) in the International Varna Salon, and in 2014, he took Best in Show in the annual CVG Washington State competition and in 2017, First Place-Photography.
www.harrylongstreet.com
MASK OPTION II by Harry Longstreet
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MASK OPTIONS by Harry Longstreet
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ALIGHTING by Kathryn Dunlevie
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Kathryn Dunlevie says, "Opening Up for me has meant opening up in my studio practice and in my thoughts about how we might move more freely through our lives. I have been working on a new series of feminine characters who meet the world head on.
These Femmes Fatales are viewed as if with x-ray vision, their patchwork interiors hinting at what they have lived; their silhouettes offering clues as to how they have proceeded through time.
They are pieced together with fragments from our shared visual history, then situated in anonymous venues from my photographic archive. Suggesting limitless possibilities and enigmatic narratives, they inspire unapologetic authenticity and a daring sense of adventure."
Kathryn Dunlevie is a photography-based artist whose work has been exhibited throughout the U.S. and internationally. Cathy Kimball, former Executive Director of the San Jose Institute of Contemporary Art, writes of Dunlevie’s work:
"Through brilliant compositional detail and manipulation, she creates disconcerting, surprising, inexplicable spaces and scenarios – swimming pools that have many points of entry, streetscapes that elude mapmakers, and interior settings that are almost, but not quite, right."
Born on the east coast, Dunlevie lived in six different states by the time she was 12, and in Paraguay when she was 16. She has a B.A. in fine arts from Rice University, and studied art history and film at the University of Paris, painting at California College of the Arts, and photography in Madrid. She lives in Palo Alto.
Dunlevie has received numerous awards and fellowships, including two Arts Council Silicon Valley Artist Laureate Fellowships and an International Photography Awards honorable mention. Her work has been exhibited at FotoFest International since 2002, at the Pingyao International Photography Festival in China, at Studio Thomas Kellner in Germany, in the US Art in Embassies Program in Moscow and in Saatchi Arts’ Best of 2014.
Her work has been reviewed in Spain’s La Fotografia Actual, Korea’s photo + and Germany’s Profifoto, as well as in The New York Times, Camerawork: A Journal of Photographic Arts, Photo Metro, Artweek, and Artlies.
Highlights of Career:
Nine solo exhibitions at FotoFest International (Houston) (2002 - 2020)
Included in San Francisco MoMA Artists Gallery, Women’s History Month (2021)
Included in PhotoAlliance Bay Area Current(ly) (2020)
Included in China's PingYao International Photography Festival (2017)
Included in International Photography Awards (2015)
Included in Saatchi Art's "BEST of 2014"
Reviewed in Korea's Photo+ magazine, (2013)
Included in "Parallax Views", San Jose Institute of Contemporary Art, California (2013)
Included four times in Germany's Photographers Network Selection (2006-2013)
Included the US Art in Embassies Program in Moscow (2012)
Two time Arts Council Silicon Valley Artist Laureate Fellow with cash awards and solo exhibitions at the Triton Museum of Art, Santa Clara, California (2001 and 2005)
Included in "Fresh Work IV: Actualities", Southeast Museum of Photography, Florida (2004)
Included in "Timekeepers", San Francisco Camerawork, San Francisco, California (2000)
Contact: kathryn.dunlevie@gmail.com
www.kathryndunlevie.com
These Femmes Fatales are viewed as if with x-ray vision, their patchwork interiors hinting at what they have lived; their silhouettes offering clues as to how they have proceeded through time.
They are pieced together with fragments from our shared visual history, then situated in anonymous venues from my photographic archive. Suggesting limitless possibilities and enigmatic narratives, they inspire unapologetic authenticity and a daring sense of adventure."
Kathryn Dunlevie is a photography-based artist whose work has been exhibited throughout the U.S. and internationally. Cathy Kimball, former Executive Director of the San Jose Institute of Contemporary Art, writes of Dunlevie’s work:
"Through brilliant compositional detail and manipulation, she creates disconcerting, surprising, inexplicable spaces and scenarios – swimming pools that have many points of entry, streetscapes that elude mapmakers, and interior settings that are almost, but not quite, right."
Born on the east coast, Dunlevie lived in six different states by the time she was 12, and in Paraguay when she was 16. She has a B.A. in fine arts from Rice University, and studied art history and film at the University of Paris, painting at California College of the Arts, and photography in Madrid. She lives in Palo Alto.
Dunlevie has received numerous awards and fellowships, including two Arts Council Silicon Valley Artist Laureate Fellowships and an International Photography Awards honorable mention. Her work has been exhibited at FotoFest International since 2002, at the Pingyao International Photography Festival in China, at Studio Thomas Kellner in Germany, in the US Art in Embassies Program in Moscow and in Saatchi Arts’ Best of 2014.
Her work has been reviewed in Spain’s La Fotografia Actual, Korea’s photo + and Germany’s Profifoto, as well as in The New York Times, Camerawork: A Journal of Photographic Arts, Photo Metro, Artweek, and Artlies.
Highlights of Career:
Nine solo exhibitions at FotoFest International (Houston) (2002 - 2020)
Included in San Francisco MoMA Artists Gallery, Women’s History Month (2021)
Included in PhotoAlliance Bay Area Current(ly) (2020)
Included in China's PingYao International Photography Festival (2017)
Included in International Photography Awards (2015)
Included in Saatchi Art's "BEST of 2014"
Reviewed in Korea's Photo+ magazine, (2013)
Included in "Parallax Views", San Jose Institute of Contemporary Art, California (2013)
Included four times in Germany's Photographers Network Selection (2006-2013)
Included the US Art in Embassies Program in Moscow (2012)
Two time Arts Council Silicon Valley Artist Laureate Fellow with cash awards and solo exhibitions at the Triton Museum of Art, Santa Clara, California (2001 and 2005)
Included in "Fresh Work IV: Actualities", Southeast Museum of Photography, Florida (2004)
Included in "Timekeepers", San Francisco Camerawork, San Francisco, California (2000)
Contact: kathryn.dunlevie@gmail.com
www.kathryndunlevie.com
AURORA by Kathryn Dunlevie
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JUST PASSING THROUGH by Kathryn Dunlevie
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PERSEPHONE by Kathryn Dunlevie
HONORABLE MENTION
(Click on image for larger view)
HONORABLE MENTION
(Click on image for larger view)
Kathryn Dunlevie says, "Opening Up for me has meant opening up in my studio practice and in my thoughts about how we might move more freely through our lives. I have been working on a new series of feminine characters who meet the world head on.
These Femmes Fatales are viewed as if with x-ray vision, their patchwork interiors hinting at what they have lived; their silhouettes offering clues as to how they have proceeded through time.
They are pieced together with fragments from our shared visual history, then situated in anonymous venues from my photographic archive. Suggesting limitless possibilities and enigmatic narratives, they inspire unapologetic authenticity and a daring sense of adventure."
Kathryn Dunlevie is a photography-based artist whose work has been exhibited throughout the U.S. and internationally. Cathy Kimball, former Executive Director of the San Jose Institute of Contemporary Art, writes of Dunlevie’s work:
"Through brilliant compositional detail and manipulation, she creates disconcerting, surprising, inexplicable spaces and scenarios – swimming pools that have many points of entry, streetscapes that elude mapmakers, and interior settings that are almost, but not quite, right."
Born on the east coast, Dunlevie lived in six different states by the time she was 12, and in Paraguay when she was 16. She has a B.A. in fine arts from Rice University, and studied art history and film at the University of Paris, painting at California College of the Arts, and photography in Madrid. She lives in Palo Alto.
Dunlevie has received numerous awards and fellowships, including two Arts Council Silicon Valley Artist Laureate Fellowships and an International Photography Awards honorable mention. Her work has been exhibited at FotoFest International since 2002, at the Pingyao International Photography Festival in China, at Studio Thomas Kellner in Germany, in the US Art in Embassies Program in Moscow and in Saatchi Arts’ Best of 2014.
Her work has been reviewed in Spain’s La Fotografia Actual, Korea’s photo + and Germany’s Profifoto, as well as in The New York Times, Camerawork: A Journal of Photographic Arts, Photo Metro, Artweek, and Artlies.
Highlights of Career:
Nine solo exhibitions at FotoFest International (Houston) (2002 - 2020)
Included in San Francisco MoMA Artists Gallery, Women’s History Month (2021)
Included in PhotoAlliance Bay Area Current(ly) (2020)
Included in China's PingYao International Photography Festival (2017)
Included in International Photography Awards (2015)
Included in Saatchi Art's "BEST of 2014"
Reviewed in Korea's Photo+ magazine, (2013)
Included in "Parallax Views", San Jose Institute of Contemporary Art, California (2013)
Included four times in Germany's Photographers Network Selection (2006-2013)
Included the US Art in Embassies Program in Moscow (2012)
Two time Arts Council Silicon Valley Artist Laureate Fellow with cash awards and solo exhibitions at the Triton Museum of Art, Santa Clara, California (2001 and 2005)
Included in "Fresh Work IV: Actualities", Southeast Museum of Photography, Florida (2004)
Included in "Timekeepers", San Francisco Camerawork, San Francisco, California (2000)
Contact: kathryn.dunlevie@gmail.com
www.kathryndunlevie.com
These Femmes Fatales are viewed as if with x-ray vision, their patchwork interiors hinting at what they have lived; their silhouettes offering clues as to how they have proceeded through time.
They are pieced together with fragments from our shared visual history, then situated in anonymous venues from my photographic archive. Suggesting limitless possibilities and enigmatic narratives, they inspire unapologetic authenticity and a daring sense of adventure."
Kathryn Dunlevie is a photography-based artist whose work has been exhibited throughout the U.S. and internationally. Cathy Kimball, former Executive Director of the San Jose Institute of Contemporary Art, writes of Dunlevie’s work:
"Through brilliant compositional detail and manipulation, she creates disconcerting, surprising, inexplicable spaces and scenarios – swimming pools that have many points of entry, streetscapes that elude mapmakers, and interior settings that are almost, but not quite, right."
Born on the east coast, Dunlevie lived in six different states by the time she was 12, and in Paraguay when she was 16. She has a B.A. in fine arts from Rice University, and studied art history and film at the University of Paris, painting at California College of the Arts, and photography in Madrid. She lives in Palo Alto.
Dunlevie has received numerous awards and fellowships, including two Arts Council Silicon Valley Artist Laureate Fellowships and an International Photography Awards honorable mention. Her work has been exhibited at FotoFest International since 2002, at the Pingyao International Photography Festival in China, at Studio Thomas Kellner in Germany, in the US Art in Embassies Program in Moscow and in Saatchi Arts’ Best of 2014.
Her work has been reviewed in Spain’s La Fotografia Actual, Korea’s photo + and Germany’s Profifoto, as well as in The New York Times, Camerawork: A Journal of Photographic Arts, Photo Metro, Artweek, and Artlies.
Highlights of Career:
Nine solo exhibitions at FotoFest International (Houston) (2002 - 2020)
Included in San Francisco MoMA Artists Gallery, Women’s History Month (2021)
Included in PhotoAlliance Bay Area Current(ly) (2020)
Included in China's PingYao International Photography Festival (2017)
Included in International Photography Awards (2015)
Included in Saatchi Art's "BEST of 2014"
Reviewed in Korea's Photo+ magazine, (2013)
Included in "Parallax Views", San Jose Institute of Contemporary Art, California (2013)
Included four times in Germany's Photographers Network Selection (2006-2013)
Included the US Art in Embassies Program in Moscow (2012)
Two time Arts Council Silicon Valley Artist Laureate Fellow with cash awards and solo exhibitions at the Triton Museum of Art, Santa Clara, California (2001 and 2005)
Included in "Fresh Work IV: Actualities", Southeast Museum of Photography, Florida (2004)
Included in "Timekeepers", San Francisco Camerawork, San Francisco, California (2000)
Contact: kathryn.dunlevie@gmail.com
www.kathryndunlevie.com
SHADOWING by Kathryn Dunlevie
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THE JUMP by Kathryn Dunlevie
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AQUARIUM by Kyle Mangione-Smith
THIRD PLACE
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THIRD PLACE
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Kyle Mangione-Smith says, " Parents have played a key role in pushing America to open back up in the past several months. Having been cooped up working from home with their children, fearing stunted development as a result of online schooling, they had very legitimate reasons to want things to return to normalcy.
Of course, the idea that the behaviors and dynamics that have evolved within families over the last year would suddenly drop to the wayside once public spaces opened back up was a fantasy that many had been clinging to, and one that couldn't ever hold true in reality. Across three of the most established destinations for Los Angeles families (the Getty, the Aquarium of the Pacific, and the Santa Monica Pier), these photos seek to document the ways that the pandemic has altered the ways parents and children interact with each other and the world around them within environments that were previously seen as stabilizing for the family dynamic."
Kyle Mangione-Smith is a filmmaker and a photographer from Seattle currently residing in Los Angeles. He received his BFA in Visual Media Arts at Emerson College in Boston in 2020.
Career Highlights: Kyle Mangione-Smith has previously had short films programmed by the Boston Underground Film Festival, Wicked Queer Film Festival, BLOW OUT: International Arthouse Film Festival, and the Rio LGBTQ International Film Festival.
Instagram: https://www.instagram.com/sosagoth/
Email: kylemangiones@gmail.com
Of course, the idea that the behaviors and dynamics that have evolved within families over the last year would suddenly drop to the wayside once public spaces opened back up was a fantasy that many had been clinging to, and one that couldn't ever hold true in reality. Across three of the most established destinations for Los Angeles families (the Getty, the Aquarium of the Pacific, and the Santa Monica Pier), these photos seek to document the ways that the pandemic has altered the ways parents and children interact with each other and the world around them within environments that were previously seen as stabilizing for the family dynamic."
Kyle Mangione-Smith is a filmmaker and a photographer from Seattle currently residing in Los Angeles. He received his BFA in Visual Media Arts at Emerson College in Boston in 2020.
Career Highlights: Kyle Mangione-Smith has previously had short films programmed by the Boston Underground Film Festival, Wicked Queer Film Festival, BLOW OUT: International Arthouse Film Festival, and the Rio LGBTQ International Film Festival.
Instagram: https://www.instagram.com/sosagoth/
Email: kylemangiones@gmail.com
GIRL IN POND by Kyle Mangione-Smith
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OUTSIDE THE RIDE by Kyle Mangione-Smith
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MOTHER AND SON by Marcus Bastel
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(Click on image for larger view)
Marcus Bastel says, "What it meant to me. I am based in London, for a number of years my mum, who is based in Germany, has been receiving cancer treatment. Born in 1941, her prospects are not the best and only in the last month she has lost 5kg (11lbs).
The last time I saw her was a year ago with first lockdown in the UK just over and Covid numbers in Germany low. I think the general outlook at the time was that we would master the pandemic soon enough and life would go back to normal. At the end of July 2020 I bought a car to drive to Germany. It being both my mums and my birthday in August it seemed a good idea to try and see her not knowing how much time we would have left and what course the pandemic would take.
Since then a year has passed, vaccines arrived and most of my family had received their second jab by August. Travel rules kept changing, but with my mums eightieth birthday coming up I was very much set on returning to Germany to celebrate it with her. These are some of the pictures I shot on our reunion.
We visited my grandma’s grave and placed a flower on her stone.
We posed for the remote camera on a bench overlooking the cemetery.
And a portrait just before I left her behind to return to the UK."
REPRESENTATION
Millennium Images,
Plainpictures
Anoukh Foerg Literary Agency
ACADEMIC QUALIFICATIONS
Rijksakademie, Amsterdam, Postgraduate Studies Fine Art
Sheffield Hallam University BA Hons Fine Art
Cheltenham & Gloucester College of Art, Foundation in Arts and Design
PROJECTS
Corona Mornings – Places (excerpts) Coronavirus lockdown community ongoing
An I for an I – Portrait project with Artists and Illustrators on hold due t0 Coronavirus
Meet the Residents – People inside the pink tower block in East London on hold due to Coronavirus
People Of Canada – Canadian Identities Coast To Coast concept ongoing
A family business: Funeral Directors 7th generation, ongoing
Faces of Mustang 2016 in collaboration with GTB/Ford Motors
Escape, Detroit to LA 2013 in collaboration with Team Detroit/Ford Motors
Explorer 2011 (Ford Motors) in collaboration with Team Detroit/Ford Motors
EXHIBITIONS
2020 The Spiritual Exercises Online Exhibition
Blank Wall Gallery, Cityscapes, Athens, group show
2019 ‘Who are you?’ Colorado Photographic Arts Center, Denver
‘Everything I ever learned’ at Art at the Arb, University of Cambridge, group show
Blank Wall Gallery, Portraits, Athens, group show
2018 Blank Wall Gallery, Winter, Athens, group show
Fix Photo Awards, London, shortlist + group show
Photobox Instagram Photography Awards, London, shortlist + group show
Portrait Salon, London, group showz
Ngorongoro II, Artist Weekend Berlin, group show
2017 Faces of Mustang at CSM Windows Gallery, London, solo show
2016 Faces of Mustang at Republic Gallery, London, solo show
https://marcusbastel.com/
Instagram: https://www.instagram.com/marcusbastelphoto/
Contact: info@marcusbastel.com
The last time I saw her was a year ago with first lockdown in the UK just over and Covid numbers in Germany low. I think the general outlook at the time was that we would master the pandemic soon enough and life would go back to normal. At the end of July 2020 I bought a car to drive to Germany. It being both my mums and my birthday in August it seemed a good idea to try and see her not knowing how much time we would have left and what course the pandemic would take.
Since then a year has passed, vaccines arrived and most of my family had received their second jab by August. Travel rules kept changing, but with my mums eightieth birthday coming up I was very much set on returning to Germany to celebrate it with her. These are some of the pictures I shot on our reunion.
We visited my grandma’s grave and placed a flower on her stone.
We posed for the remote camera on a bench overlooking the cemetery.
And a portrait just before I left her behind to return to the UK."
REPRESENTATION
Millennium Images,
Plainpictures
Anoukh Foerg Literary Agency
ACADEMIC QUALIFICATIONS
Rijksakademie, Amsterdam, Postgraduate Studies Fine Art
Sheffield Hallam University BA Hons Fine Art
Cheltenham & Gloucester College of Art, Foundation in Arts and Design
PROJECTS
Corona Mornings – Places (excerpts) Coronavirus lockdown community ongoing
An I for an I – Portrait project with Artists and Illustrators on hold due t0 Coronavirus
Meet the Residents – People inside the pink tower block in East London on hold due to Coronavirus
People Of Canada – Canadian Identities Coast To Coast concept ongoing
A family business: Funeral Directors 7th generation, ongoing
Faces of Mustang 2016 in collaboration with GTB/Ford Motors
Escape, Detroit to LA 2013 in collaboration with Team Detroit/Ford Motors
Explorer 2011 (Ford Motors) in collaboration with Team Detroit/Ford Motors
EXHIBITIONS
2020 The Spiritual Exercises Online Exhibition
Blank Wall Gallery, Cityscapes, Athens, group show
2019 ‘Who are you?’ Colorado Photographic Arts Center, Denver
‘Everything I ever learned’ at Art at the Arb, University of Cambridge, group show
Blank Wall Gallery, Portraits, Athens, group show
2018 Blank Wall Gallery, Winter, Athens, group show
Fix Photo Awards, London, shortlist + group show
Photobox Instagram Photography Awards, London, shortlist + group show
Portrait Salon, London, group showz
Ngorongoro II, Artist Weekend Berlin, group show
2017 Faces of Mustang at CSM Windows Gallery, London, solo show
2016 Faces of Mustang at Republic Gallery, London, solo show
https://marcusbastel.com/
Instagram: https://www.instagram.com/marcusbastelphoto/
Contact: info@marcusbastel.com
MUM by Marcus Bastel
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(Click on image for larger view)
MUM AT MOTHERS GRAVE by Marcus Bastel
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COOLING OFF by Olesya Konovalova
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(Click on image for larger view)
Olesya Konovalova says, "For us, opening up was scheduled for June 15, 2021, in LA county and turned into a 15-hour-power-outage in 111°F. Tried to cool off by spraying water from spray bottles, filled a wading pool for the kids. Spent the evening outside looking for glimpses of sunset and repair crews."
Olesya is a Russian-born American artist residing in Southern California. She completed her Specialization in Photography at MSU via Coursera in 2017. Olesya studied Linguistics and Translation at Chelyabinsk State Pedagogical University and Fashion Design at the College of Light and Textile Industry. Her works were part of Juried Exhibitions in MoAH Cedar in Lancaster, CA, and are in the current one. A group show was in Las Laguna Art Gallery in December of 2020. Olesya received multiple awards at MoAH Cedar.
IMAGES FOR SALE
Cooling off- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Drinking in the Dark- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Life at Home- 12"H x 8" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Contact: Olesya Konovalova
olesya.konovalova@outlook.com
Olesya is a Russian-born American artist residing in Southern California. She completed her Specialization in Photography at MSU via Coursera in 2017. Olesya studied Linguistics and Translation at Chelyabinsk State Pedagogical University and Fashion Design at the College of Light and Textile Industry. Her works were part of Juried Exhibitions in MoAH Cedar in Lancaster, CA, and are in the current one. A group show was in Las Laguna Art Gallery in December of 2020. Olesya received multiple awards at MoAH Cedar.
IMAGES FOR SALE
Cooling off- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Drinking in the Dark- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Life at Home- 12"H x 8" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Contact: Olesya Konovalova
olesya.konovalova@outlook.com
DRINKING IN THE DARK by Olesya Konovalova
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(Click on image for larger view)
LIFE AT HOME by Olesya Konovalova
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(Click on image for larger view)
LOOKING FOR SUNSET AND REPAIR CREWS by Olesya Konovalova
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REST by Olesya Konovalova
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TAG by Olesya Konovalova
HONORABLE MENTION
(Click on image for larger view)
HONORABLE MENTION
(Click on image for larger view)
Olesya Konovalova says, "For us, opening up was scheduled for June 15, 2021, in LA county and turned into a 15-hour-power-outage in 111°F. Tried to cool off by spraying water from spray bottles, filled a wading pool for the kids. Spent the evening outside looking for glimpses of sunset and repair crews."
Olesya is a Russian-born American artist residing in Southern California. She completed her Specialization in Photography at MSU via Coursera in 2017. Olesya studied Linguistics and Translation at Chelyabinsk State Pedagogical University and Fashion Design at the College of Light and Textile Industry. Her works were part of Juried Exhibitions in MoAH Cedar in Lancaster, CA, and are in the current one. A group show was in Las Laguna Art Gallery in December of 2020. Olesya received multiple awards at MoAH Cedar.
IMAGES FOR SALE
Tag- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Looking for Sunset and Repair Crews - 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Rest- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Contact: Olesya Konovalova
olesya.konovalova@outlook.com
Olesya is a Russian-born American artist residing in Southern California. She completed her Specialization in Photography at MSU via Coursera in 2017. Olesya studied Linguistics and Translation at Chelyabinsk State Pedagogical University and Fashion Design at the College of Light and Textile Industry. Her works were part of Juried Exhibitions in MoAH Cedar in Lancaster, CA, and are in the current one. A group show was in Las Laguna Art Gallery in December of 2020. Olesya received multiple awards at MoAH Cedar.
IMAGES FOR SALE
Tag- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Looking for Sunset and Repair Crews - 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Rest- 8"H x 12" W
Archival paper
$350 unframed
Limited edition of 10
Signed on back
Contact: Olesya Konovalova
olesya.konovalova@outlook.com
ROME, CELLPHONE by Sarah Chow
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(Click on image for larger view)
Sarah Chow says, "As a student this past year I welcomed the vaccine and was eager to get back to normal life. As everything started to open up with cautions I was happy that I was able to visit friends in Italy, especially when it was hit so hard initially by Covid-19.
I carry a camera wherever I go so I can capture whatever strikes me, often moments on the street. It was interesting to see so many without masks in Rome but I attribute that to people needing to get back to normal.
I've studied art and photography at Santa Monica College and UCLA and traveled extensively through Europe, Japan, Greece and the U.S. to photograph and absorb the culture and art."
Her work has been exhibited at the Santa Monica College Emeritus Art Gallery &
published in Outdoor & Travel Photography Magazine.
.
I carry a camera wherever I go so I can capture whatever strikes me, often moments on the street. It was interesting to see so many without masks in Rome but I attribute that to people needing to get back to normal.
I've studied art and photography at Santa Monica College and UCLA and traveled extensively through Europe, Japan, Greece and the U.S. to photograph and absorb the culture and art."
Her work has been exhibited at the Santa Monica College Emeritus Art Gallery &
published in Outdoor & Travel Photography Magazine.
.
ROME SHOPPING by Sarah Chow
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ROME STAIRCASE by Sarah Chow
(Click on image for larger view)
HOME: 'OPENING UP':
https://laphotocurator.com/opening-up-laurie-freitag
FIRST PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/first-place-chel-delaney-bound-by-uncertainty----/1
SECOND PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/second-place-ellen-friedlander-lost-slippers----/1
THIRD PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/third-place-kyle-mangione-smith-aquarium----/1
BEST SERIES:
https://laphotocurator.com/opening-up-laurie-freitag/best-series-chel-delaney/1
HONORABLE MENTION:
https://laphotocurator.com/opening-up-laurie-freitag/honorable-mentions-eveline-schneider-together-we-are-strong-kathryn-dunlevie-persephone-olesya-konovalova-tag----/1
EXHIBITION #1:
https://laphotocurator.com/opening-up-laurie-freitag/exhibition-1/1
EXHIBITION #2:
https://laphotocurator.com/opening-up-laurie-freitag/exhibition-2/1
(Click on image for larger view)
HOME: 'OPENING UP':
https://laphotocurator.com/opening-up-laurie-freitag
FIRST PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/first-place-chel-delaney-bound-by-uncertainty----/1
SECOND PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/second-place-ellen-friedlander-lost-slippers----/1
THIRD PLACE:
https://laphotocurator.com/opening-up-laurie-freitag/third-place-kyle-mangione-smith-aquarium----/1
BEST SERIES:
https://laphotocurator.com/opening-up-laurie-freitag/best-series-chel-delaney/1
HONORABLE MENTION:
https://laphotocurator.com/opening-up-laurie-freitag/honorable-mentions-eveline-schneider-together-we-are-strong-kathryn-dunlevie-persephone-olesya-konovalova-tag----/1
EXHIBITION #1:
https://laphotocurator.com/opening-up-laurie-freitag/exhibition-1/1
EXHIBITION #2:
https://laphotocurator.com/opening-up-laurie-freitag/exhibition-2/1
