A MINDFUL LANDSCAPE- Donna Cosentino & Karen Hymer > EXHIBITION #2
EXHIBITION #2
John Santoni/Concretion
HONORABLE MENTION
HONORABLE MENTION
John Santoni/Deconstruction
John Santoni/Resolution
JOHN SANTONI:
John Santoni is a conceptual nature and landscape photographer creating images that provoke viewers to contemplate their relationship with the natural world. Growing up in Los Angeles in the smog-choked 1970’s informed John’s view that we have lost the ancient wisdom that allows for a symbiotic relationship with our environment.
Studying photography under legacy instructors at Orange Coast College in Costa Mesa, John explored art and photo history extensively, and became aware of how the artistic voice can influence positive change. Over twenty five years in commercial photography honed technical skills that are now applied to artistic expression.
Current work explores the idea of Earth’s dreams of transforminglandscapes and restoring harmony to environments and species. Work created in silent and empty spaces helps communicate the often unnoticed power of Earth’s self-correcting power. John is committed to ongoing
projects that will create awareness and enhance work and living spaces.
IMAGES FOR SALE-
Concretion - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Deconstruction - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Resolution - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Contact-
John Santoni
jsantoni@me.com
www.johnsantoni.com
www.instagram.com/santoniphoto
John Santoni is a conceptual nature and landscape photographer creating images that provoke viewers to contemplate their relationship with the natural world. Growing up in Los Angeles in the smog-choked 1970’s informed John’s view that we have lost the ancient wisdom that allows for a symbiotic relationship with our environment.
Studying photography under legacy instructors at Orange Coast College in Costa Mesa, John explored art and photo history extensively, and became aware of how the artistic voice can influence positive change. Over twenty five years in commercial photography honed technical skills that are now applied to artistic expression.
Current work explores the idea of Earth’s dreams of transforminglandscapes and restoring harmony to environments and species. Work created in silent and empty spaces helps communicate the often unnoticed power of Earth’s self-correcting power. John is committed to ongoing
projects that will create awareness and enhance work and living spaces.
IMAGES FOR SALE-
Concretion - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Deconstruction - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Resolution - 12”H x 18”W
Archival Paper
$325 Unframed
Limited Edition of 25
Signed
Contact-
John Santoni
jsantoni@me.com
www.johnsantoni.com
www.instagram.com/santoniphoto
Kip Harris/SSS151214
Kip Harris/SSS151229
Kip Harris/SSS181021
If viewing on a computer click on arrow to read about Kip Harris and continue to group exhibition
If viewing on a computer click on arrow to read about Kip Harris and continue to group exhibition
Kip Harris/SSS200122
Kip Harris/SSS221012
Kip Harris/SSS230912
KIP HARRIS:
"I walk almost every day along the shoreline of the Atlantic Coast in Nova Scotia. There is a special quality of light here. It sinks into your soul and becomes part of how you view the world. When you live at the edge of a continent, the elemental powers of weather, wind, and wave strip away your sentimentality for nature. Here you feel the force of the ocean at night as it grinds the granite boulders into sand. After storms, whole chucks of shore will have disappeared. Hurricanes rip away wharves and deposit sofas on the beach. I roam this shore with my dog as a flâneur of light marking the protean edge of the horizon.
My images are intended to be meditative and minimal. They are distillations of many walks when the wind blew almost everything away except for the transcendent light. I’m a street photographer by inclination. This shoreline has become the street where I now most frequently wander."
Harris grew up in a small farming community in Idaho. He holds degrees in English literature from Dartmouth College, in humanities from the University of Chicago, and architecture from the University of Utah. He was a principal of FFKR Architects in Salt Lake City for nearly 30 years.
A serious photographer since the late 80s, Harris has exhibited in the United States, Canada, Australia, and Europe. He has been published in Shots Magazine, The Photo Review, Art Reveal, Smithsonian.com, Street Photography Magazine, Barren Magazine, Tagree, Square, Black and White (cover) and a number of on-line photographic sites. He has been at resident at the Rural Residence in Contemporary Art in the Val Camonica Valley of Italy and Gracia in Antigua, Guatemala.
Images for Sale-
Images: Please note smaller sizes are also available at reduced prices
South Shore Suite: December 14, 2015, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: December 29, 2015, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: October 21, 2018, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: January 22, 2020, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: October 12, 2022, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: September 12, 2023, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
Contact-
Kip Harris, kharris130@me.com
www.kharrisphoto.com
www.instagram.com/kharris902
"I walk almost every day along the shoreline of the Atlantic Coast in Nova Scotia. There is a special quality of light here. It sinks into your soul and becomes part of how you view the world. When you live at the edge of a continent, the elemental powers of weather, wind, and wave strip away your sentimentality for nature. Here you feel the force of the ocean at night as it grinds the granite boulders into sand. After storms, whole chucks of shore will have disappeared. Hurricanes rip away wharves and deposit sofas on the beach. I roam this shore with my dog as a flâneur of light marking the protean edge of the horizon.
My images are intended to be meditative and minimal. They are distillations of many walks when the wind blew almost everything away except for the transcendent light. I’m a street photographer by inclination. This shoreline has become the street where I now most frequently wander."
Harris grew up in a small farming community in Idaho. He holds degrees in English literature from Dartmouth College, in humanities from the University of Chicago, and architecture from the University of Utah. He was a principal of FFKR Architects in Salt Lake City for nearly 30 years.
A serious photographer since the late 80s, Harris has exhibited in the United States, Canada, Australia, and Europe. He has been published in Shots Magazine, The Photo Review, Art Reveal, Smithsonian.com, Street Photography Magazine, Barren Magazine, Tagree, Square, Black and White (cover) and a number of on-line photographic sites. He has been at resident at the Rural Residence in Contemporary Art in the Val Camonica Valley of Italy and Gracia in Antigua, Guatemala.
Images for Sale-
Images: Please note smaller sizes are also available at reduced prices
South Shore Suite: December 14, 2015, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: December 29, 2015, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: October 21, 2018, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: January 22, 2020, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: October 12, 2022, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
South Shore Suite: September 12, 2023, 23” h x 52” wide
Archival pigment print
$600 unframed, shipping included
Limited edition: 1 of 5
Signed on back
Contact-
Kip Harris, kharris130@me.com
www.kharrisphoto.com
www.instagram.com/kharris902
Laura Noel/Beach Walker
Laura Noel/Connected
Laura Noel/Lemons
If viewing on a computer click on arrow to read about Laura Noel and continue to group exhibition
If viewing on a computer click on arrow to read about Laura Noel and continue to group exhibition
Laura Noel/Ode
Laura Noel/Orange-Diamond
Laura Noel/Yellow Maine
LAURA NOEL:
"A Material Witness"
"My photographs are about expanding the definition of who andwhat can be a witness. Usually, an eyewitness is understood to be someone whoobserves a situation or behavior firsthand. The eyewitness might be unchangedby what they see, or they might be spurred towards action and intervention.When I began making art, I photographed in the streets, capturing the storiesof strangers that unfold in public. Working in this vein,I slipped easily into the traditional role of a witness. In the last few years,I have become interested making art with common building materials to telldifferent kinds of stories. Often, the work is about climate change and theshifting relationship people have with the natural world. Factory madesubstances such as Styrofoam, Plexiglass, and different types of plastic, contain implied meanings. These built-in characteristics and associations bearwitness in their own unique ways. Theartist, the camera, and the viewers are tightly interwoven within the medium.The act of seeing has been a constant throughout all the technological innovationsthat have periodically upended the act of making pictures. My work can be seenas almost animating materials, coaxing their factory-bred meanings into thelight. This approach references the highly mechanized nature of thecontemporary world. The way I intervene in the natural world is a kind of meditation."
Laura Noel is an Atlanta-based, photographerand installation artist. Her work often addresses issues of memory andconsumption, the intersection of visual and written languages, as well asexplorations of her personal history. Her work is in the collection of The HighMuseum of Art, The George Eastman House, The Ogden Museum in New Orleans, MOCAGA and a number of private and public collections. She has been a WalthallFellow, recipient of an Idea Capital Grant, and an Artadia finalist. Noel received a BA in PublicPolicy Studies from Duke University and an MFA in Photography with Distinctionfrom the University of Georgia.
Her prints been featured in exhibitions at thePingyao International Photography Festival in China, the Contemporary AmericanPhotography exhibition at the Internationale Fototage Festival in Mannheim,Germany, Gallery 24 in Berlin, United Photo Industries in New York, The RhodeIsland School of Design Museum, The Cleveland Museum of Art, The Museum ofContemporary Art Georgia, Jackson Fine Art, Lumiere, Davis Orton Gallery inupstate New York, and Gallery 1401 in Philadelphia.
Her photographs have appearedon-line and in print in Photography Now, Hot Shoe (United Kingdom),Photography Quarterly, PHOTONEWS (Germany), Slate Magazine’s BeholdPhoto Blog, CNN Photo Blog, Lens Culture, Planet, Art News Daily, The HumbleArts Foundation, F-Stop Magazine, One One Thousand, SouthXSoutheast, La Lettrede la Photographie, Consciencious, aCurator, Fraction Magazine and many others.
Scotland’s Aglu Books published Withdrawn, her study of discarded library books. Smoke Break, her psychological portraits of smokers, was published by published by Fall Line Press in 2024. Noel’s artist books are in the collections of the International Center of Photography library in New York, The Houston Museum of Fine Art, The Cleveland Art Institute, The Harry Ransom Center at the University of Texas, and many private collections.
Recent installations include I Used to Know All These Things, at the Slow Exposure Photography Festival, Will Tomorrow Never Come and Locked, Lost at MOCA GA as part of Far From Home: Stories of Refugee Girls, To Do at the Spruill Gallery, The Enchanted Forest of Books on the Atlanta Beltline, and Give/Swap/Receiveat Emory University.
IMAGES FOR SALE-
Ode, 2023
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Beach Walker, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Yellow, Maine, 2023
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Orange Diamond, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Lemons, Guatemala, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Connected, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Contact: Laura Noel
laura@lauranoel.com
www.amaterialwitness.com
www.instagram.com/lauraanoel
"A Material Witness"
"My photographs are about expanding the definition of who andwhat can be a witness. Usually, an eyewitness is understood to be someone whoobserves a situation or behavior firsthand. The eyewitness might be unchangedby what they see, or they might be spurred towards action and intervention.When I began making art, I photographed in the streets, capturing the storiesof strangers that unfold in public. Working in this vein,I slipped easily into the traditional role of a witness. In the last few years,I have become interested making art with common building materials to telldifferent kinds of stories. Often, the work is about climate change and theshifting relationship people have with the natural world. Factory madesubstances such as Styrofoam, Plexiglass, and different types of plastic, contain implied meanings. These built-in characteristics and associations bearwitness in their own unique ways. Theartist, the camera, and the viewers are tightly interwoven within the medium.The act of seeing has been a constant throughout all the technological innovationsthat have periodically upended the act of making pictures. My work can be seenas almost animating materials, coaxing their factory-bred meanings into thelight. This approach references the highly mechanized nature of thecontemporary world. The way I intervene in the natural world is a kind of meditation."
Laura Noel is an Atlanta-based, photographerand installation artist. Her work often addresses issues of memory andconsumption, the intersection of visual and written languages, as well asexplorations of her personal history. Her work is in the collection of The HighMuseum of Art, The George Eastman House, The Ogden Museum in New Orleans, MOCAGA and a number of private and public collections. She has been a WalthallFellow, recipient of an Idea Capital Grant, and an Artadia finalist. Noel received a BA in PublicPolicy Studies from Duke University and an MFA in Photography with Distinctionfrom the University of Georgia.
Her prints been featured in exhibitions at thePingyao International Photography Festival in China, the Contemporary AmericanPhotography exhibition at the Internationale Fototage Festival in Mannheim,Germany, Gallery 24 in Berlin, United Photo Industries in New York, The RhodeIsland School of Design Museum, The Cleveland Museum of Art, The Museum ofContemporary Art Georgia, Jackson Fine Art, Lumiere, Davis Orton Gallery inupstate New York, and Gallery 1401 in Philadelphia.
Her photographs have appearedon-line and in print in Photography Now, Hot Shoe (United Kingdom),Photography Quarterly, PHOTONEWS (Germany), Slate Magazine’s BeholdPhoto Blog, CNN Photo Blog, Lens Culture, Planet, Art News Daily, The HumbleArts Foundation, F-Stop Magazine, One One Thousand, SouthXSoutheast, La Lettrede la Photographie, Consciencious, aCurator, Fraction Magazine and many others.
Scotland’s Aglu Books published Withdrawn, her study of discarded library books. Smoke Break, her psychological portraits of smokers, was published by published by Fall Line Press in 2024. Noel’s artist books are in the collections of the International Center of Photography library in New York, The Houston Museum of Fine Art, The Cleveland Art Institute, The Harry Ransom Center at the University of Texas, and many private collections.
Recent installations include I Used to Know All These Things, at the Slow Exposure Photography Festival, Will Tomorrow Never Come and Locked, Lost at MOCA GA as part of Far From Home: Stories of Refugee Girls, To Do at the Spruill Gallery, The Enchanted Forest of Books on the Atlanta Beltline, and Give/Swap/Receiveat Emory University.
IMAGES FOR SALE-
Ode, 2023
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Beach Walker, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Yellow, Maine, 2023
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Orange Diamond, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Lemons, Guatemala, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Connected, 2022
11"H x 14" W
Archival pigment print
$350 unframed
Limited edition of 10
Signed on back
Contact: Laura Noel
laura@lauranoel.com
www.amaterialwitness.com
www.instagram.com/lauraanoel
Laurel Anderson/Pacific Snow
Laurel Anderson/White Sands
HONORABLE MENTION
HONORABLE MENTION
Laurel Anderson/Winter Crossing
LAUREL ANDERSON:
Laurel Anderson (b. 1983) is an American photographer whose work explores our interior lives, how those lives connect and isolate us, and the natural world's role in them. An emerging fine art photographer, she began showing work in 2022.
Her work has been collected by the Fort Wayne Museum of Art as well as the CollexArt Patron Collection. In 2022, she won multiple awards for her portraiture, landscapes, and composites, and was featured in over 20 exhibitions locally, nationally, and internationally. Prior to 2022, she was a design creative director. Growing up in the San Juan mountains of Colorado, her connection to the natural world started early. At Stanford, she studied Cultural Psychology and International Relations, fascinated by the inner workings of our minds and the stories we tell ourselves and others.
IMAGES FOR SALE-
White Sands 2018 - 16"H x 24" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Winter Crossing 2012 - 16"H x 24" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Pacific Snow 2018 - 24H x 16" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Contact-
Laurel Anderson
hello@laurelandersonphotography.com
http://www.laurelandersonphotography.com/series
www.instagram.com/laurelandersonphoto
Laurel Anderson (b. 1983) is an American photographer whose work explores our interior lives, how those lives connect and isolate us, and the natural world's role in them. An emerging fine art photographer, she began showing work in 2022.
Her work has been collected by the Fort Wayne Museum of Art as well as the CollexArt Patron Collection. In 2022, she won multiple awards for her portraiture, landscapes, and composites, and was featured in over 20 exhibitions locally, nationally, and internationally. Prior to 2022, she was a design creative director. Growing up in the San Juan mountains of Colorado, her connection to the natural world started early. At Stanford, she studied Cultural Psychology and International Relations, fascinated by the inner workings of our minds and the stories we tell ourselves and others.
IMAGES FOR SALE-
White Sands 2018 - 16"H x 24" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Winter Crossing 2012 - 16"H x 24" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Pacific Snow 2018 - 24H x 16" W
Archival paper
$1,095 unframed
Limited edition of 5
Signed on front
Contact-
Laurel Anderson
hello@laurelandersonphotography.com
http://www.laurelandersonphotography.com/series
www.instagram.com/laurelandersonphoto
Marcus Bastel/Emergency Call
Marcus Bastel/Forest
Marcus Bastel/Local
MARCUS BASTEL:
Marcus Bastel is a London-based photographer with a fine art background studied at the Rijksakademie in Amsterdam. For the last 20 years he has focused solely on photography, developing his own style, striking a balance between fine art and documentary photography, between land or cityscapes and people aiming to tell a story with either.
He has travelled through North America for various projects, including ‘My Trip to Mars’ and ‘Faces of Mustang’. Other recent projects include an urban street photography collaboration for an architecture column and an ongoing project documenting a 7th generation family business of undertakers. It is people and their stories, that inspire his work.
His work is with Millennium Images and Plainpictures.
IMAGES FOR SALE-
Emergency Call - 8"H x 12" W
Archival paper
$300 unframed
Limited edition of 15
Signed on back
Local - 8"H x 12" W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Forest - 8"H x 12" W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Contact: Marcus Bastel : marcus@marcusbastel.com
www.marcusbastel.com
www.instagram.com/marcusbastelphoto
Marcus Bastel is a London-based photographer with a fine art background studied at the Rijksakademie in Amsterdam. For the last 20 years he has focused solely on photography, developing his own style, striking a balance between fine art and documentary photography, between land or cityscapes and people aiming to tell a story with either.
He has travelled through North America for various projects, including ‘My Trip to Mars’ and ‘Faces of Mustang’. Other recent projects include an urban street photography collaboration for an architecture column and an ongoing project documenting a 7th generation family business of undertakers. It is people and their stories, that inspire his work.
His work is with Millennium Images and Plainpictures.
IMAGES FOR SALE-
Emergency Call - 8"H x 12" W
Archival paper
$300 unframed
Limited edition of 15
Signed on back
Local - 8"H x 12" W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Forest - 8"H x 12" W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Contact: Marcus Bastel : marcus@marcusbastel.com
www.marcusbastel.com
www.instagram.com/marcusbastelphoto
Margo Geddes/Across the Valley
Margo Geddes/Pasture Hawthorn
SECOND PLACE
SECOND PLACE
Margo Geddes/Streambank
MARGO GEDDES:
"Saccades / Durée"
"Through these images, I am exploring the discontinuous nature of looking and time disparities as we experience them in our contemporary world. While they initially look to be panoramas, closer inspection reveals fractures, repeats, and issues of shifts in scale and tone. My interest in these ideas began with Cezanne and Bergson and ideas around time measured versus time experienced. The photographic image snip at tie, parcels it, and creates temporal distance, slipping into the before now. The photographer experiences time differently, apprehending and exploring the scene; it is through the time of careful looking that they come to share their experience of the world. The photograph resolves the dialectic between the instant and duration. I am interested in the small particularities of time experienced, the flicker of one's eye across a scene; focus, refocus, the moments that collectively help us describe and locate ourselves in the world."
Margo Geddes is an artist working across multiple disciplines, from photography and printmaking to drawing and painting. She was raised on Nantucket Island and after living across the west for the past 25 years, calls Missoula, Montana home. Her art practice revolves around the intersections between humans and the natural world; the landscapes of the West, and the nature of our experience in the landscape. She holds an MFA in Photography from the University of Oregon and an MA in Museum Studies from Johns Hopkins University, and she is the registrar at the Missoula Art Museum.
Images are for sale-
Streambank - 10" x 30"
cyanotype inkjet print
325.00, unframed, limited edition of 10
signed on verso
Pasture Hawthorn - 10" x 30"
toned, cyanotype inkjet print
325.00, unframed, limited edition of 10
signed on verso
Across the Valley - 10" x 43"
toned, cyanotype inkjet print
400.00, unframed, limited edition of 10
signed on verso
Contact Info: Margo Geddes
whiteantlerflowers@gmail.com
www.margogeddes.com
www.instagram.com/margo_geddes
"Saccades / Durée"
"Through these images, I am exploring the discontinuous nature of looking and time disparities as we experience them in our contemporary world. While they initially look to be panoramas, closer inspection reveals fractures, repeats, and issues of shifts in scale and tone. My interest in these ideas began with Cezanne and Bergson and ideas around time measured versus time experienced. The photographic image snip at tie, parcels it, and creates temporal distance, slipping into the before now. The photographer experiences time differently, apprehending and exploring the scene; it is through the time of careful looking that they come to share their experience of the world. The photograph resolves the dialectic between the instant and duration. I am interested in the small particularities of time experienced, the flicker of one's eye across a scene; focus, refocus, the moments that collectively help us describe and locate ourselves in the world."
Margo Geddes is an artist working across multiple disciplines, from photography and printmaking to drawing and painting. She was raised on Nantucket Island and after living across the west for the past 25 years, calls Missoula, Montana home. Her art practice revolves around the intersections between humans and the natural world; the landscapes of the West, and the nature of our experience in the landscape. She holds an MFA in Photography from the University of Oregon and an MA in Museum Studies from Johns Hopkins University, and she is the registrar at the Missoula Art Museum.
Images are for sale-
Streambank - 10" x 30"
cyanotype inkjet print
325.00, unframed, limited edition of 10
signed on verso
Pasture Hawthorn - 10" x 30"
toned, cyanotype inkjet print
325.00, unframed, limited edition of 10
signed on verso
Across the Valley - 10" x 43"
toned, cyanotype inkjet print
400.00, unframed, limited edition of 10
signed on verso
Contact Info: Margo Geddes
whiteantlerflowers@gmail.com
www.margogeddes.com
www.instagram.com/margo_geddes
Martha Clarkson/Love Wall
Martha Clarkson/Edge
Martha Clarkson/Barn Hair
If viewing on a computer click on arrow to read about Martha Clarkson and continue to group exhibition
If viewing on a computer click on arrow to read about Martha Clarkson and continue to group exhibition
Martha Clarkson/Beach Tree
Martha Clarkson/Lone
Martha Clarkson/Sandscape
MARTHA CLARKSON:
"Maybe it started with a Kodak Instamatic on my ninth birthday. Cartridge film, square flashcube with four tries. Or the spy camera that came in the mail from a cereal box top promotion. Or my mother, on every occasion armed with her own Kodak and a new Polaroid camera. The white envelopes we picked up from the camera stop were a storehouse of surprise and wonder.
I am a writer as well as a photographer. Shooting a photograph is like crafting a story. A story that will unfold in different ways to each viewer. I chase the neglected perspectives of everyday life: small or grand travels, my creations, or a simple walk in the city. Stories reveal themselves through my observations. Click.
In the world of architecture where I spent my formal career, designs are created by understanding all perspectives – the plan view looking from above, straight-on in elevation, cut through in section. Human scale in relation to the built environment is critical to understand in order to create great design. And like photography, light and shadow’s effects on space is the foundation for successful spaces we desire to inhabit. An architecture professor tells you that in elevation, shade the windows black, because that’s how windows appear in daylight. And suddenly you realize you’ve never observed windows really. Draw what you see. Shoot what you see. But know when what you see is unique."
Martha Clarkson’s photography can be found at NYC4pa, Lightbox Photography Gallery F-Stop Magazine, Black Box Gallery, Sunspot Magazine,
LensCulture, Light, Space, and Time Gallery, Ours Photography magazine, Calyx, Junto.www.marthaclarkson.com
www.instagram.com/minoxbee
www.marthaclarkson.com
"Maybe it started with a Kodak Instamatic on my ninth birthday. Cartridge film, square flashcube with four tries. Or the spy camera that came in the mail from a cereal box top promotion. Or my mother, on every occasion armed with her own Kodak and a new Polaroid camera. The white envelopes we picked up from the camera stop were a storehouse of surprise and wonder.
I am a writer as well as a photographer. Shooting a photograph is like crafting a story. A story that will unfold in different ways to each viewer. I chase the neglected perspectives of everyday life: small or grand travels, my creations, or a simple walk in the city. Stories reveal themselves through my observations. Click.
In the world of architecture where I spent my formal career, designs are created by understanding all perspectives – the plan view looking from above, straight-on in elevation, cut through in section. Human scale in relation to the built environment is critical to understand in order to create great design. And like photography, light and shadow’s effects on space is the foundation for successful spaces we desire to inhabit. An architecture professor tells you that in elevation, shade the windows black, because that’s how windows appear in daylight. And suddenly you realize you’ve never observed windows really. Draw what you see. Shoot what you see. But know when what you see is unique."
Martha Clarkson’s photography can be found at NYC4pa, Lightbox Photography Gallery F-Stop Magazine, Black Box Gallery, Sunspot Magazine,
LensCulture, Light, Space, and Time Gallery, Ours Photography magazine, Calyx, Junto.www.marthaclarkson.com
www.instagram.com/minoxbee
www.marthaclarkson.com
Matt Connors/Hope Whispers that the Tide Always Returns
Matt Connors/In the Beginning was the Dream
HONORABLE MENTION
HONORABLE MENTION
Matt Connors/The Silence is all There is
MATT CONNORS:
"I am a fine art photographer living and practicing on California’s Monterey Peninsula. I took up photography as an avocation later in life. Over the years my image-making has transitioned from attempting to capture the “wow” moment to conveying an ephemeral sense of the present moment. Experiencing the present brings me a connection to a greater whole, evoking feelings of serenity, longing, mystery, and timelessness.
My influences include the quiet Central Coast landscapes of local painter Richard Tette, and the serenity, simplicity, and beauty of photographer Michael Kenna’s work. I am fortunate to live in an area with a rich and vibrant photographic culture, including the Center for Photographic Art and ImageMakers of Monterey County. I am indebted to so many fellow artists in these organizations and others for their advice, critique, support, and inspiration.
My images are in numerous private collections, as well as the permanent collection of the Community Hospital of the Monterey Peninsula.
These images are from my “Nostalgia for the Eternal” project. That title comes from a chapter in John O’Donohue’s book Beauty, The Invisible Embrace. That phrase, nostalgia for the eternal, nicely captures a feeling I remember from childhood, that I was once in a place, now lost to me, where there was light, warmth and peace. I get a similar feeling when I appreciate Nature’s beauty. It’s as if the beautiful is somehow familiar to me, it’s a place I once knew, it’s a place for which I am nostalgic.Plato postulated that every oak, willow, poppy, and pelican we see is but a diminished representation of the ideal oak, willow, poppy and pelican, that there is a realm that we can sometimes sense but that we do not inhabit. It’s a place beyond time, where the beauty of creation is fully and completely realized. Perhaps when we are struck by the beauty of an oak, or the light though the leaves, or a wave embracing a rock in the ocean,what we are sensing is a message from this other realm, a message addressed to our innermost self, a message of light and hope.
With these images, I am attempting to take the subjects out of the every day and place them somewhere on the path to the eternal realm, so that the viewer might be able to sense, however faintly, the ideal beauty of the eternal."
IMAGES FOR SALE-
Hope Whispers That The Tide Always Returns - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
In The Beginning Was The Dream - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
Contact: Matt Connors mattconnorsphotography@gmail.com
The Silence Is All There Is - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
Contact: Matt Connors mattconnorsphotography@gmail.com
www.mattconnorsphotography.com
"I am a fine art photographer living and practicing on California’s Monterey Peninsula. I took up photography as an avocation later in life. Over the years my image-making has transitioned from attempting to capture the “wow” moment to conveying an ephemeral sense of the present moment. Experiencing the present brings me a connection to a greater whole, evoking feelings of serenity, longing, mystery, and timelessness.
My influences include the quiet Central Coast landscapes of local painter Richard Tette, and the serenity, simplicity, and beauty of photographer Michael Kenna’s work. I am fortunate to live in an area with a rich and vibrant photographic culture, including the Center for Photographic Art and ImageMakers of Monterey County. I am indebted to so many fellow artists in these organizations and others for their advice, critique, support, and inspiration.
My images are in numerous private collections, as well as the permanent collection of the Community Hospital of the Monterey Peninsula.
These images are from my “Nostalgia for the Eternal” project. That title comes from a chapter in John O’Donohue’s book Beauty, The Invisible Embrace. That phrase, nostalgia for the eternal, nicely captures a feeling I remember from childhood, that I was once in a place, now lost to me, where there was light, warmth and peace. I get a similar feeling when I appreciate Nature’s beauty. It’s as if the beautiful is somehow familiar to me, it’s a place I once knew, it’s a place for which I am nostalgic.Plato postulated that every oak, willow, poppy, and pelican we see is but a diminished representation of the ideal oak, willow, poppy and pelican, that there is a realm that we can sometimes sense but that we do not inhabit. It’s a place beyond time, where the beauty of creation is fully and completely realized. Perhaps when we are struck by the beauty of an oak, or the light though the leaves, or a wave embracing a rock in the ocean,what we are sensing is a message from this other realm, a message addressed to our innermost self, a message of light and hope.
With these images, I am attempting to take the subjects out of the every day and place them somewhere on the path to the eternal realm, so that the viewer might be able to sense, however faintly, the ideal beauty of the eternal."
IMAGES FOR SALE-
Hope Whispers That The Tide Always Returns - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
In The Beginning Was The Dream - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
Contact: Matt Connors mattconnorsphotography@gmail.com
The Silence Is All There Is - 7”H x 14”W
Archival Pigment Print
$325 unframed
Signed on the front
Contact: Matt Connors mattconnorsphotography@gmail.com
www.mattconnorsphotography.com
Maureen J.Haldeman/Fortitude
Maureen J. Haldeman/Grounded
Maureen J.Haldeman/Insight
If viewing on a computer click on arrow to read about Maureen J. Haldeman and continue to group exhibition
Maureen J.Haldeman/Impression
Maureen J. Haldeman/Revelation
Maureen J.Haldeman/Wavering
MAUREEN J. HALDEMAN:
"Finding solace at the seashore, the ocean has inspired much of my work; my most contemplative photographs are of the sea.
In the series Tidelands, my perspective shifts to exposing details of land submerged and only revealed by the tides. This overlap between land and sea unveils an ever-changing beauty not always immediately apparent or appreciated.
As shifting tides and light define the tidelands, so does the ebb and flow of human experience influence different aspects of the psyche. Through photographic exploration of place, my hidden feelings, memories and identity, help me cope with my altered emotional landscape during uncertain times."
I was born in Holland, raised in Montreal, and now reside in Malibu, California, where I studied art history and fine art photography at UCLA.
Inspired by nature, particularly the ocean and its landscapes, my work often explores abstract interpretations of the sea in which I emphasize the interplay of light, shadow, and form to create images that transcend the literal.
I have taught photography at the college level, freelanced for publications like The LA Times, and completed private commissions for the entertainment industry. My work, frequently featured in film and television set design, has been exhibited in over 50 group and solo shows both locally and worldwide, including exhibitions in London, Paris, Milan, Rome, Barcelona, Tokyo, Hungary, and Greece.
I am currently working on a series of monochromatic floral images to be exhibited for the first time in Los Angeles later this year.
IMAGES FOR SALE-
Insight - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Fortitude - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Revelation - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Impression - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Wavering - 13"H x 13" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Grounded - 19"H x 13" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Contact: Maureen J Haldeman
email: mjhphotographymalibu
www.maureenhaldemanphotography.com
www.instagram.com/maureenhaldemanphoto
"Finding solace at the seashore, the ocean has inspired much of my work; my most contemplative photographs are of the sea.
In the series Tidelands, my perspective shifts to exposing details of land submerged and only revealed by the tides. This overlap between land and sea unveils an ever-changing beauty not always immediately apparent or appreciated.
As shifting tides and light define the tidelands, so does the ebb and flow of human experience influence different aspects of the psyche. Through photographic exploration of place, my hidden feelings, memories and identity, help me cope with my altered emotional landscape during uncertain times."
I was born in Holland, raised in Montreal, and now reside in Malibu, California, where I studied art history and fine art photography at UCLA.
Inspired by nature, particularly the ocean and its landscapes, my work often explores abstract interpretations of the sea in which I emphasize the interplay of light, shadow, and form to create images that transcend the literal.
I have taught photography at the college level, freelanced for publications like The LA Times, and completed private commissions for the entertainment industry. My work, frequently featured in film and television set design, has been exhibited in over 50 group and solo shows both locally and worldwide, including exhibitions in London, Paris, Milan, Rome, Barcelona, Tokyo, Hungary, and Greece.
I am currently working on a series of monochromatic floral images to be exhibited for the first time in Los Angeles later this year.
IMAGES FOR SALE-
Insight - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Fortitude - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Revelation - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Impression - 13"H x 19" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Wavering - 13"H x 13" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Grounded - 19"H x 13" W
Silver Gelatin Print
$450 unframed
Limited edition of 12
Signed on back
Contact: Maureen J Haldeman
email: mjhphotographymalibu
www.maureenhaldemanphotography.com
www.instagram.com/maureenhaldemanphoto
Nadia Sharova/Along the Cliffs
Nadia Sharova/Cliffs and Tide
Nadia Sharova/Lost in Cliffs
If viewing on a computer click on arrow to read about Nadia Sharova and continue to group exhibition
If viewing on a computer click on arrow to read about Nadia Sharova and continue to group exhibition
Nadia Sharova/Rocks and Tide
Nadia Sharova/Walking in the Tide
Nadia Sharova/Water Dune
NADIA SHAROVA:
"I have a 10 year record in photography, mostly focusing on landscape, street and travel. As I am fond of outdoor and keen in mountaineering I have been shooting a lot in the mountains, as well as in other remote yet beautiful parts of the world from Kamchatka to Bolivia."
Images for sale-
Along_the_cliffs 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Rocks_and_tide 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Lost_in_cliffs 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Water_Dune 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Cliffs_and_tide 85h*60w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Walking_in_the_tide 85h*60w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Contact-
Nadia Sharova
nadezhdassharova@gmail.com
www.instagram.com/nadiassharova
"I have a 10 year record in photography, mostly focusing on landscape, street and travel. As I am fond of outdoor and keen in mountaineering I have been shooting a lot in the mountains, as well as in other remote yet beautiful parts of the world from Kamchatka to Bolivia."
Images for sale-
Along_the_cliffs 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Rocks_and_tide 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Lost_in_cliffs 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Water_Dune 60h*85w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Cliffs_and_tide 85h*60w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Walking_in_the_tide 85h*60w cm, fine art Barita paper, 300 EUR, unframed, limited edition of 10, signed on back
Contact-
Nadia Sharova
nadezhdassharova@gmail.com
www.instagram.com/nadiassharova
Oliver Ulrich/1
Oliver Ulrich/2
Oliver Ulrich/3
If viewing on a computer click on arrow to read about Oliver Ulrich and continue to group exhibition
If viewing on a computer click on arrow to read about Oliver Ulrich and continue to group exhibition
Oliver Ulrich/4
Oliver Ulrich/5
Oliver Ulrich/6
OLIVER ULLRICH:
"Synaptic Landscape"
"During numerous exploratory walks in the south of Spain, I experienced the landscape as a great repository of knowledge encompassing plants and animals as well as sand, fossilized dunes, and volcanic rock. This knowledge draws from the past and the present, from the individual elements of nature as well as their mutual connections. Everything is affected by natural forces such as wind, sun, and water, as well as by those that hold everything together. It is striking that this knowledge is not equally distributed across the landscape, but becomes particularly evident at specific sites that are linked to one another. These places often take the shape of constellations and aggregations of natural objects and energies, similar to the synapses in the brain where information is communicated in the network of nerve cells."
Oliver Ullrich, born 1960 in Frankfurt am Main, Germany, initially embarked on a path as a natural scientist studying biology. He worked as a professor for molecular biology and cell culture technology at the Hamburg University of Applied Sciences. From 2020 onward, he entered the field of photography as an autodidact at the intersection of science, nature, and art. Participation in the Photofolio Review at Rencontres de la Photographie in Arles (2021) and the Portfolio Review in the context of the 8th Triennale of Photography, Hamburg (2022), as well as in Andreas Herzau’s master class for photography in Hamburg, Nadine Barth’s master class “Making Books” (both 2023–2024), and Peter Bialobrzeski’s master class “Documentary Photography” in Berlin (2024–2025). Photo book "Synaptic Landscape", Kerber Verlag (2024).
www.oliverullrich.de
"Synaptic Landscape"
"During numerous exploratory walks in the south of Spain, I experienced the landscape as a great repository of knowledge encompassing plants and animals as well as sand, fossilized dunes, and volcanic rock. This knowledge draws from the past and the present, from the individual elements of nature as well as their mutual connections. Everything is affected by natural forces such as wind, sun, and water, as well as by those that hold everything together. It is striking that this knowledge is not equally distributed across the landscape, but becomes particularly evident at specific sites that are linked to one another. These places often take the shape of constellations and aggregations of natural objects and energies, similar to the synapses in the brain where information is communicated in the network of nerve cells."
Oliver Ullrich, born 1960 in Frankfurt am Main, Germany, initially embarked on a path as a natural scientist studying biology. He worked as a professor for molecular biology and cell culture technology at the Hamburg University of Applied Sciences. From 2020 onward, he entered the field of photography as an autodidact at the intersection of science, nature, and art. Participation in the Photofolio Review at Rencontres de la Photographie in Arles (2021) and the Portfolio Review in the context of the 8th Triennale of Photography, Hamburg (2022), as well as in Andreas Herzau’s master class for photography in Hamburg, Nadine Barth’s master class “Making Books” (both 2023–2024), and Peter Bialobrzeski’s master class “Documentary Photography” in Berlin (2024–2025). Photo book "Synaptic Landscape", Kerber Verlag (2024).
www.oliverullrich.de
Patricia Sandler/Green and Rock
Patricia Sandler/Grey Rock
Patricia Sandler/Morning Messenger
If viewing on a computer click on arrow to read about Patricia Sandler and continue to group exhibition
If viewing on a computer click on arrow to read about Patricia Sandler and continue to group exhibition
Patricia Sandler/Swarm of Leaves
Patricia Sandler/Unexpected
Patricia Sandler/Window Frost
PATRICIA SANDLER:
Patricia has exhibited her photography in many group exhibitions throughout the United States and Europe, and has pieces in the permanent collections of The Museum of Fine Arts,Houston and the Center for Photography at Woodstock permanent print collection, Samuel Dorsky Museum of Art/College Art Gallery at S.U.N.Y., New Paltz, New York.
"When I walk in the natural landscape, I am at my most peaceful, open and in touch. To allow images to come to me, rather then my “taking them” is a most welcome process. As in mindful meditation, I strive to stay open to everything and I wait to see what reveals itself. The essential truth sounds high minded, but what I mean by that is the nature of a tree, a rock, a leaf as it comes to me and presents itself, and as I see it. Most often, it is the detail that stops me in my tracks, or the sheer beauty of light and color and shapes in relationship to each other. But always there is this moment of grace, like the most powerful prayer I know, gifting me with such abundance and beauty."
Images for sale-
11”x14”
Archival Inkjet Prints
$350 unframed
Edition of 20
Signed on back
Larger prints available.
Contact Patricia Sandler patsan@mindspring.com
www.patriciasandler.com
www.instagram.com/psandlerphotog
Patricia has exhibited her photography in many group exhibitions throughout the United States and Europe, and has pieces in the permanent collections of The Museum of Fine Arts,Houston and the Center for Photography at Woodstock permanent print collection, Samuel Dorsky Museum of Art/College Art Gallery at S.U.N.Y., New Paltz, New York.
"When I walk in the natural landscape, I am at my most peaceful, open and in touch. To allow images to come to me, rather then my “taking them” is a most welcome process. As in mindful meditation, I strive to stay open to everything and I wait to see what reveals itself. The essential truth sounds high minded, but what I mean by that is the nature of a tree, a rock, a leaf as it comes to me and presents itself, and as I see it. Most often, it is the detail that stops me in my tracks, or the sheer beauty of light and color and shapes in relationship to each other. But always there is this moment of grace, like the most powerful prayer I know, gifting me with such abundance and beauty."
Images for sale-
11”x14”
Archival Inkjet Prints
$350 unframed
Edition of 20
Signed on back
Larger prints available.
Contact Patricia Sandler patsan@mindspring.com
www.patriciasandler.com
www.instagram.com/psandlerphotog
Prescott Moore Lassman/Montgomery 1
Prescott Moore Lassman/Montgomery 2
Prescott Moore Lassman/Montgomery 3
If viewing on a computer click on arrow to read about Prescott Moore Lassman and continue to group exhibition
If viewing on a computer click on arrow to read about Prescott Moore Lassman and continue to group exhibition
Prescott Moore Lassman/Montgomery 4
Prescott Moore Lassman/Montgomery 5
Prescott Moore Lassman/Montgomery 6
PRESCOTT MOORE LASSMAN:
"I am a photographer based in Washington, D.C. focusing mainly on black-and-white photography — somewhere between street and documentary with a strong dose of minimalism for good measure. My subject matter and interests are eclectic, but my approach is mostly intuitive. I search for images that resonate, for moments of synchronicity in everyday life. Because this approach relies on unconscious triggers, my photographs are often richly symbolic, though their meaning is not immediately clear (at least not to me). For me, this is the essence of photography: capturing an image that resonates and then, over the course of months or years, figuring out why.
The photographs submitted to this call are from an afternoon walking around downtown Montgomery, Alabama. There was something about the bleak, nostalgic feel of the abandoned city center that forced me to slow down and really try to see and capture that ethos."
Career Highlights include: City Hall Art Collection, Washington, DC, Individual Artist Fellowship, DCCAH, Washington, DC, First Place, Time and Wisdom of the Land, LA Photo Curator, First Place, The Human Spirit, LA Photo Curator, First Place, Allegany National Photography Competition & Exhibition, Cumberland, MD,
Best In Show, Exposed DC 17th and 18th Annual Photo Show, Washington, DC
The Photo Review 2023 Competition, Woodmere Art Museum, Philadelphia, PA
Soho Photo National Competition, Soho Photo Gallery, New York, NY
Carte Blanche, Lucie Foundation, Los Angeles, CA (online)
Published in: Black & White Magazine, Shots Magazine, AAP Magazine, The Sun Magazine, Antietam Review, and The Washington Post.
www.instagram.com/lassman_lenswork
___________________________
EXHIBITION #3
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-3/1
THE MINDFUL LANDSCAPE HOME:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer&previewMode=yes
FIRST PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/first-place-steve-eirschele-artifact----/1
SECOND PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/second-place-margo-geddes-pasture-hawthorn----/1
HONORABLE MENTIONS:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/honorable-mentions-jodie-hulden-lucent-matt-connors-in-the-beginning-was-the-dream-annie-lemoux-almost-nothing-john-santoni-concretion-laurel-anderson-white-sands----/1
BEST SERIES:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/best-series-holden-richards/1
EXHIBITION #1
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-1/1
EXHIBITION #2
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-2/1
"I am a photographer based in Washington, D.C. focusing mainly on black-and-white photography — somewhere between street and documentary with a strong dose of minimalism for good measure. My subject matter and interests are eclectic, but my approach is mostly intuitive. I search for images that resonate, for moments of synchronicity in everyday life. Because this approach relies on unconscious triggers, my photographs are often richly symbolic, though their meaning is not immediately clear (at least not to me). For me, this is the essence of photography: capturing an image that resonates and then, over the course of months or years, figuring out why.
The photographs submitted to this call are from an afternoon walking around downtown Montgomery, Alabama. There was something about the bleak, nostalgic feel of the abandoned city center that forced me to slow down and really try to see and capture that ethos."
Career Highlights include: City Hall Art Collection, Washington, DC, Individual Artist Fellowship, DCCAH, Washington, DC, First Place, Time and Wisdom of the Land, LA Photo Curator, First Place, The Human Spirit, LA Photo Curator, First Place, Allegany National Photography Competition & Exhibition, Cumberland, MD,
Best In Show, Exposed DC 17th and 18th Annual Photo Show, Washington, DC
The Photo Review 2023 Competition, Woodmere Art Museum, Philadelphia, PA
Soho Photo National Competition, Soho Photo Gallery, New York, NY
Carte Blanche, Lucie Foundation, Los Angeles, CA (online)
Published in: Black & White Magazine, Shots Magazine, AAP Magazine, The Sun Magazine, Antietam Review, and The Washington Post.
www.instagram.com/lassman_lenswork
___________________________
EXHIBITION #3
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-3/1
THE MINDFUL LANDSCAPE HOME:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer&previewMode=yes
FIRST PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/first-place-steve-eirschele-artifact----/1
SECOND PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/second-place-margo-geddes-pasture-hawthorn----/1
HONORABLE MENTIONS:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/honorable-mentions-jodie-hulden-lucent-matt-connors-in-the-beginning-was-the-dream-annie-lemoux-almost-nothing-john-santoni-concretion-laurel-anderson-white-sands----/1
BEST SERIES:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/best-series-holden-richards/1
EXHIBITION #1
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-1/1
EXHIBITION #2
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-2/1
