A MINDFUL LANDSCAPE- Donna Cosentino & Karen Hymer > EXHIBITION #1
EXHIBITION #1
Annie Lemoux/On a Foggy Walk
ANNIE LEMOUX:
"In my landscape explorations, mindfulness has been a major factor in choosing my subjects. For me it is a state of beingness in which how my heart and feeling respond to my perceptions is what directs my camera.
This group of images I chose to submit are two sets at opposite end of my photographic spectrum.
Light can powerfully direct the feelings experienced by the photographer and the viewer in their perceptions.
One set, the trees, is brimming with the energy of Spring, with colors and with the energy of the trees themselves, bursting with life. In this set, I feel the light suffusing, radiating and bathing the image, gives it a vibration of its own.
The other set, shot at the beach at a more subdued time of day or climactic conditions, is leaning to the opposite: a subtle light condition that induces more of a feeling of peace and of stillness, reflecting my own inner quiet.
Photography has been my life-long passion. I started photographing when I was twelve years old when my father put a camera in my hand and told me that everything we look at could be a subject for creating art and beauty.
All these years later, a lifetime, I still indulge in my undiminished photographic passion.
It is split between documentary photography which is observing the world outside me and recording it and the image-making which is the reversed creative process of looking inward to my innerworld and creating images born there. Both processes fascinate me equally.
I cannot begin to describe my gratitude for both as I have found so much joy, elation and excitement in the creative process whichever way it comes.
I have had opportunities to show my B&W documentary work traveling in Mexico for two years; and a show in Tokyo for Nippon-Polaroid for my alternative process using their films. With the border so close to SanDiego, where I live, I have had two one-woman shows and several group-shows in Tijuana, MX. I am also grateful to have been selected for many group shows locally and in other parts of the US."
Images for sale
www.instagram.com/annielemouxphotography/
-----------------
If viewing on a computer click on arrow to continue to group exhibition
"In my landscape explorations, mindfulness has been a major factor in choosing my subjects. For me it is a state of beingness in which how my heart and feeling respond to my perceptions is what directs my camera.
This group of images I chose to submit are two sets at opposite end of my photographic spectrum.
Light can powerfully direct the feelings experienced by the photographer and the viewer in their perceptions.
One set, the trees, is brimming with the energy of Spring, with colors and with the energy of the trees themselves, bursting with life. In this set, I feel the light suffusing, radiating and bathing the image, gives it a vibration of its own.
The other set, shot at the beach at a more subdued time of day or climactic conditions, is leaning to the opposite: a subtle light condition that induces more of a feeling of peace and of stillness, reflecting my own inner quiet.
Photography has been my life-long passion. I started photographing when I was twelve years old when my father put a camera in my hand and told me that everything we look at could be a subject for creating art and beauty.
All these years later, a lifetime, I still indulge in my undiminished photographic passion.
It is split between documentary photography which is observing the world outside me and recording it and the image-making which is the reversed creative process of looking inward to my innerworld and creating images born there. Both processes fascinate me equally.
I cannot begin to describe my gratitude for both as I have found so much joy, elation and excitement in the creative process whichever way it comes.
I have had opportunities to show my B&W documentary work traveling in Mexico for two years; and a show in Tokyo for Nippon-Polaroid for my alternative process using their films. With the border so close to SanDiego, where I live, I have had two one-woman shows and several group-shows in Tijuana, MX. I am also grateful to have been selected for many group shows locally and in other parts of the US."
Images for sale
www.instagram.com/annielemouxphotography/
-----------------
If viewing on a computer click on arrow to continue to group exhibition
David Marsh/Bodie Truck
DAVID MARSH:
"My interest isn’t in broad strokes or ephemera, but in cataloging the minute physical details within a discrete slice of the world—a record documented for future study. These images of Bodie, CA capture the unrelenting effects of time and the futility of our attempts to shelter against it."
A native of San Diego, California - David Marsh was a 20 year veteran of the video game industry as an artist and designer before switching his creative focus to photography and printmaking during the pandemic. He currently resides in Escondido, California.
www.davidmarshprints.com
www.instagram.com/nimbledave
"My interest isn’t in broad strokes or ephemera, but in cataloging the minute physical details within a discrete slice of the world—a record documented for future study. These images of Bodie, CA capture the unrelenting effects of time and the futility of our attempts to shelter against it."
A native of San Diego, California - David Marsh was a 20 year veteran of the video game industry as an artist and designer before switching his creative focus to photography and printmaking during the pandemic. He currently resides in Escondido, California.
www.davidmarshprints.com
www.instagram.com/nimbledave
Ethan Brossard/Present Meditations #34
ETHAN BROSSARD:
"Present Meditations"
"I have spent many mornings visiting this farm in Rehoboth, Massachusetts, waking up before dawn each time, so that I may catch the first rays of light coming over the treetops. In making photographs of this land I’ve returned to the reasons I first picked up a camera, and discovered an anchor for myself in the often chaotic world we live in.
My photographic practice is a meditative one, the slow nature of the large format cameras I use is what made me love this medium. I have struggled on and off with severe anxiety and depression for most of my adult life, and without photography I would not be doing nearly as well as I am. Photographs have given me a language to speak about my struggles, and I’ve found a sense of belonging in the creative communities I work in, but in addition to all that, the camera itself has become a tool through which I am able to process my experiences. It feels odd to give so much credit to the simple box that is my camera, but I am sincere in my belief that the way this box allows me to interact with the world has been a game changer. As I don the dark cloth, stresses of the world outside disappear, and I can focus on the here and now. Focused on the frame in front of me, I can sit with my subject as the light shifts around us. In the time between setting up the camera and pressing the shutter release, I’m able to sit with the landscape as I wait for all its elements to come together. I allow myself to exist without worrying about what comes next, and appreciate where I am.
In our modern world where almost everything is digital and instantaneous, there is pressure from society to be constantly working towards whatever comes next. Growing up I was instilled with the drive to get good grades so I could get a good degree, so I could get a well paying job, so I could buy a house and save enough to retire, and that’s what I see many people doing. But what’s the point of all that? I believe that anchoring myself in a future which hasn’t come yet is one of the habits which my mental health troubles stemmed from.
On the farm I’m reminded that the traditional path we are directed towards is just one of many options. The woman who owns this farm didn’t grow up farming, but chose the path of raising dairy goats and other animals instead of the nine to five jobs most people go into, and I admire that. I also see my photographic process mirrored in the craft of the people who live and work here. The world around the farm cannot be ignored, but the cycles which used to define time are more apparent on its premises. Life is in all stages, from a new litter of goat kids I hear bleating as they demand food, to the old skulls which I see decorating the compost pit. One morning, the crunch of grass under my boots signaled the arrival of the first hard frost. These moments remind me to enjoy the present, and have been a refuge for me this past autumn. Rather than working towards the next thing, bigger and better than the last, these pastures and ponds remind me to look around and find peace in where I am."
Ethan Brossard is a photographer who seeks to create images which not only show the formal elements of spaces, but more importantly convey the emotional experiences of inhabiting them. Growing up, his camera became a tool he found useful in processing his struggles with mental health. His practice has evolved much since then, but his techniques and subject matter are still heavily influenced by those experiences.
For him, photography is both an artistic practice, and a meditative one. The camera has an almost paradoxical ability to both separate its bearer from their surroundings, while also enabling a deeper connection with the subject for both the photographer and viewers. This unique power is what drew Ethan to photography in the first place, and is a cornerstone of his practice. His images, which strive to offer both reflection and connection to viewers, have been featured in exhibitions across the United States.
Ethan is currently pursuing a BFA in photography from the Rhode Island School of Design.
Images For Sale-
Present Meditations #18- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #26- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #30- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #31- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #33- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #34- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Contact:
Ethan Brossard ethan@ethansbrossard.com
www.ethansbrossard.com
www.instagram.com/ethan_brossard
"Present Meditations"
"I have spent many mornings visiting this farm in Rehoboth, Massachusetts, waking up before dawn each time, so that I may catch the first rays of light coming over the treetops. In making photographs of this land I’ve returned to the reasons I first picked up a camera, and discovered an anchor for myself in the often chaotic world we live in.
My photographic practice is a meditative one, the slow nature of the large format cameras I use is what made me love this medium. I have struggled on and off with severe anxiety and depression for most of my adult life, and without photography I would not be doing nearly as well as I am. Photographs have given me a language to speak about my struggles, and I’ve found a sense of belonging in the creative communities I work in, but in addition to all that, the camera itself has become a tool through which I am able to process my experiences. It feels odd to give so much credit to the simple box that is my camera, but I am sincere in my belief that the way this box allows me to interact with the world has been a game changer. As I don the dark cloth, stresses of the world outside disappear, and I can focus on the here and now. Focused on the frame in front of me, I can sit with my subject as the light shifts around us. In the time between setting up the camera and pressing the shutter release, I’m able to sit with the landscape as I wait for all its elements to come together. I allow myself to exist without worrying about what comes next, and appreciate where I am.
In our modern world where almost everything is digital and instantaneous, there is pressure from society to be constantly working towards whatever comes next. Growing up I was instilled with the drive to get good grades so I could get a good degree, so I could get a well paying job, so I could buy a house and save enough to retire, and that’s what I see many people doing. But what’s the point of all that? I believe that anchoring myself in a future which hasn’t come yet is one of the habits which my mental health troubles stemmed from.
On the farm I’m reminded that the traditional path we are directed towards is just one of many options. The woman who owns this farm didn’t grow up farming, but chose the path of raising dairy goats and other animals instead of the nine to five jobs most people go into, and I admire that. I also see my photographic process mirrored in the craft of the people who live and work here. The world around the farm cannot be ignored, but the cycles which used to define time are more apparent on its premises. Life is in all stages, from a new litter of goat kids I hear bleating as they demand food, to the old skulls which I see decorating the compost pit. One morning, the crunch of grass under my boots signaled the arrival of the first hard frost. These moments remind me to enjoy the present, and have been a refuge for me this past autumn. Rather than working towards the next thing, bigger and better than the last, these pastures and ponds remind me to look around and find peace in where I am."
Ethan Brossard is a photographer who seeks to create images which not only show the formal elements of spaces, but more importantly convey the emotional experiences of inhabiting them. Growing up, his camera became a tool he found useful in processing his struggles with mental health. His practice has evolved much since then, but his techniques and subject matter are still heavily influenced by those experiences.
For him, photography is both an artistic practice, and a meditative one. The camera has an almost paradoxical ability to both separate its bearer from their surroundings, while also enabling a deeper connection with the subject for both the photographer and viewers. This unique power is what drew Ethan to photography in the first place, and is a cornerstone of his practice. His images, which strive to offer both reflection and connection to viewers, have been featured in exhibitions across the United States.
Ethan is currently pursuing a BFA in photography from the Rhode Island School of Design.
Images For Sale-
Present Meditations #18- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #26- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #30- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #31- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #33- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Present Meditations #34- 30"H x 22"W
Print on Japanese gampi paper, mounted to pure cotton paper
$400 unframed
Edition of 8
Signed on Back
Contact:
Ethan Brossard ethan@ethansbrossard.com
www.ethansbrossard.com
www.instagram.com/ethan_brossard
Francis Sullivan/Tow Hill June 21
FRANCIS SULLIVAN:
Francis Sullivan lives on the remote islands of Haida Gwaii off the northern coast of British Columbia in the small village of Daajing Giids. His tiny home overlooks the Skidegate Inlet which separates Graham Island to the north from Moresby Island to the south.
Haida Gwaii’s landscapes are vast and varied, though much is accessible by boat or plane only. The weather can be unpredictable as well, with sun, rain and sometime snow all in one day possible.
Over the past decade Francis has been utilizing toy plastic lenses mounted to digital camera bodies to achieve a hi-res, lo-fi look, softening the images, adding saturation and fringing to the highlights, producing a somewhat dreamy, ethereal quality overall.
For the included images, four (4) were taken from his home windows overlooking the water and the view west towards the inland mountains. He spends contemplative moments viewing this ever changing vista over morning teas and throughout the day and evening.
The other two (2) images were taken on day trips north: Miller Creek beach walk, a regular peaceful walk at low tide, and the most northern tip of Graham Island to a most enchanted area known as Tow Hill, during a very typical day of torrential rain and wind.
IMAGES FOR SALE-
Tow Hill, June 21 — 9”Hx12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Miller Creek, Jan 21— 9x12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Sunrise, Feb 7— 8”Hx12”W , on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Moonset, Sunset, Feb 11— 9”Wx11.25”H, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Dusk, Feb 11— 9”Wx11.25”H, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Flurries, Feb 25— 8”Hx12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Francis Sullivan
francis@francissullivanphoto.com
www.francissullivanphoto.com
Francis Sullivan lives on the remote islands of Haida Gwaii off the northern coast of British Columbia in the small village of Daajing Giids. His tiny home overlooks the Skidegate Inlet which separates Graham Island to the north from Moresby Island to the south.
Haida Gwaii’s landscapes are vast and varied, though much is accessible by boat or plane only. The weather can be unpredictable as well, with sun, rain and sometime snow all in one day possible.
Over the past decade Francis has been utilizing toy plastic lenses mounted to digital camera bodies to achieve a hi-res, lo-fi look, softening the images, adding saturation and fringing to the highlights, producing a somewhat dreamy, ethereal quality overall.
For the included images, four (4) were taken from his home windows overlooking the water and the view west towards the inland mountains. He spends contemplative moments viewing this ever changing vista over morning teas and throughout the day and evening.
The other two (2) images were taken on day trips north: Miller Creek beach walk, a regular peaceful walk at low tide, and the most northern tip of Graham Island to a most enchanted area known as Tow Hill, during a very typical day of torrential rain and wind.
IMAGES FOR SALE-
Tow Hill, June 21 — 9”Hx12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Miller Creek, Jan 21— 9x12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Sunrise, Feb 7— 8”Hx12”W , on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Moonset, Sunset, Feb 11— 9”Wx11.25”H, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Dusk, Feb 11— 9”Wx11.25”H, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Flurries, Feb 25— 8”Hx12”W, on 11x14” archival paper
Limited Edition of 15
$350 unframed + shipping
Signed on back
Francis Sullivan
francis@francissullivanphoto.com
www.francissullivanphoto.com
Jane Gottlieb/Lawn Bowlers
JANE GOTTLIEB:
"I have been expressing my joy of art with paint, shapes and colors
since I was very young. I began as a painter, evolved into a photographer,
and eventually began painting on individual photographic prints over thirty years ago. I hand painted vivid colors on my Cibachrome prints, creating a wonderful new reality. Now I scan my one-of-a-kind hand-painted prints, enhance, paint and combine them with Photoshop and my imagination. “Color is luscious to me. It’s a luxury to be able to fill my life with vivid color. Color is energy; it evokes emotions and feelings. It’s the other side of intellectual, and it makes you feel good—it really does pick you up, and makes you smile.
My art has been exhibited worldwide in many solo exhibitions: UCSB AD&A Museum, Butler Institute of American Art; Carnegie Art Museum in Oxnard, CA;
Laguna Art Museum. CA; Petersen Automotive Museum, LA, CA;
LA County Museum of Natural History, CA; Monterey Museum of Art, CA; Louis Stern Gallery, West Hollywood, CA; Wall Space Gallery, Santa Barbara, CA; Nancy Hoffman Gallery, New York City and
L’Image Gallery, Rome, Italy.
I have been included in countless group exhibits over the last 30 years, and collected by museums, foundations, corporations and individuals worldwide.
Many magazine articles, magazine and book covers, two museum exhibition catalogues and two books have been published of my art, Garden Tales and Car Tales."
www.janegottlieb.com
"I have been expressing my joy of art with paint, shapes and colors
since I was very young. I began as a painter, evolved into a photographer,
and eventually began painting on individual photographic prints over thirty years ago. I hand painted vivid colors on my Cibachrome prints, creating a wonderful new reality. Now I scan my one-of-a-kind hand-painted prints, enhance, paint and combine them with Photoshop and my imagination. “Color is luscious to me. It’s a luxury to be able to fill my life with vivid color. Color is energy; it evokes emotions and feelings. It’s the other side of intellectual, and it makes you feel good—it really does pick you up, and makes you smile.
My art has been exhibited worldwide in many solo exhibitions: UCSB AD&A Museum, Butler Institute of American Art; Carnegie Art Museum in Oxnard, CA;
Laguna Art Museum. CA; Petersen Automotive Museum, LA, CA;
LA County Museum of Natural History, CA; Monterey Museum of Art, CA; Louis Stern Gallery, West Hollywood, CA; Wall Space Gallery, Santa Barbara, CA; Nancy Hoffman Gallery, New York City and
L’Image Gallery, Rome, Italy.
I have been included in countless group exhibits over the last 30 years, and collected by museums, foundations, corporations and individuals worldwide.
Many magazine articles, magazine and book covers, two museum exhibition catalogues and two books have been published of my art, Garden Tales and Car Tales."
www.janegottlieb.com
Holden Richards/Riverwalk Twilight
HOLDEN RICHARDS:
"Riverwalk"
"My ongoing project of photographing the Eno River that flows through Orange, and Durham counties has been active for more than a decade. I have made photographs here in all seasons, at all times of day, in most locations along the river. The river has offered an ever-changing, constantly evolving location for the making of photographs. It's a portrait of a subject that won't sit still. An attempt to photograph an evolving, living entity that has played a huge role in the history and development of the areas around it. It's also a place where I find exceptional solace and meaning."
Holden Richards is native North Carolinian currently residing in Hillsborough. His primary medium is large format film photography via printing in the traditional wet darkroom. He is a current Getty Images Contributor who has had his work featured print, including Jill Enfield's Guide to Photographic Alternative Processes, The Hand Magazine, and The Oxford American as well as appearing in corporate advertising campaigns through Getty.
His recent monograph Riverwalk is included in the archives of the University of North Carolina and Duke University, and his darkroom work has been included in the Cassilhaus Collection and the collections of the cities of Raleigh and Durham, North Carolina among others.
IMAGES FOR SALE-
Riverwalk - Twilight - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
Riverwalk - North - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
Riverwalk - Fog and Rain - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
www.darkroomprint.com
www.instagram.com/insta.holden.richards
"Riverwalk"
"My ongoing project of photographing the Eno River that flows through Orange, and Durham counties has been active for more than a decade. I have made photographs here in all seasons, at all times of day, in most locations along the river. The river has offered an ever-changing, constantly evolving location for the making of photographs. It's a portrait of a subject that won't sit still. An attempt to photograph an evolving, living entity that has played a huge role in the history and development of the areas around it. It's also a place where I find exceptional solace and meaning."
Holden Richards is native North Carolinian currently residing in Hillsborough. His primary medium is large format film photography via printing in the traditional wet darkroom. He is a current Getty Images Contributor who has had his work featured print, including Jill Enfield's Guide to Photographic Alternative Processes, The Hand Magazine, and The Oxford American as well as appearing in corporate advertising campaigns through Getty.
His recent monograph Riverwalk is included in the archives of the University of North Carolina and Duke University, and his darkroom work has been included in the Cassilhaus Collection and the collections of the cities of Raleigh and Durham, North Carolina among others.
IMAGES FOR SALE-
Riverwalk - Twilight - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
Riverwalk - North - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
Riverwalk - Fog and Rain - 11"H x 14" W
Archival paper
$150 unframed
Limited edition of 25
Signed on back
Contact: Holden Richards holden@darkroomprint.com
www.darkroomprint.com
www.instagram.com/insta.holden.richards
Jodie Hulden/Wild Abandon
JODIE HULDEN:
"I am a fine art, contemplative photographer focusing on the visual poetry of intimate spaces, both wild and man-made. Since I have always been drawn to Asian philosophy, aesthetics, and poetry,
I find that those themes permeate my artwork in what I regard as “visual haiku”. I also love to convey texture and often find myself pulling out of chaotic scenes the essence of the textural beauty that
I find in nature.
In February 2017 I was honored to be the artist-in-residence at Zion National Park. I was an award winner in 2018 at the Center Choice Awards in Santa Fe, NM for my “Left Behind” portfolio.
In 2019 I was selected as one of the 200 Critical Mass Finalists for my “Seeing Silence” work. Also in 2019 I published a book with Dark Spring Press of “Left Behind”. In 2022 I received an honorable
mention for my “Hidden Places” portfolio in the Julia Margaret Cameron Awards in Barcelona.
I have exhibited nationally at the Center for Photographic Arts in Carmel, the Center of Fine Art Photographer in Fort Collins, the Yosemite Renaissance Exhibition, the PhotoPlace Gallery in Vermont and the Photographer’s Eye Gallery in Escondido. My work has been featured in On Landscape Magazine, Black +White Magazine (UK) and BETA magazine."
Images for Sale -
Circle of Light 10”H x 10”W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Fallen Aspens 9”H x 9”W
Archival paper
$225 unframed
Limited edition of 15
Signed on back
Lucent 9”H x 9”W
Archival paper
$225 unframed
Limited edition of 15
Signed on back
Pines and Fog 6”H x 9”W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Stopping 8”H x 4.5”W
Archival paper
$200 unframed
Limited edition of 15
Signed on back
Wild Abandon 9.5”H x 11.75”W
Archival paper
$275 unframed
Limited edition of 15
Signed on back
Contact: Jodie Hulden
jodiehulden47@gmail.com
www.jodiehulden.com
www.instagram.com/jodiehulden
__________________________
EXHIBITION #2
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-2/1
THE MINDFUL LANDSCAPE HOME:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer&previewMode=yes
FIRST PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/first-place-steve-eirschele-artifact----/1
SECOND PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/second-place-margo-geddes-pasture-hawthorn----/1
HONORABLE MENTIONS:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/honorable-mentions-jodie-hulden-lucent-matt-connors-in-the-beginning-was-the-dream-annie-lemoux-almost-nothing-john-santoni-concretion-laurel-anderson-white-sands----/1
BEST SERIES:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/best-series-holden-richards/1
"I am a fine art, contemplative photographer focusing on the visual poetry of intimate spaces, both wild and man-made. Since I have always been drawn to Asian philosophy, aesthetics, and poetry,
I find that those themes permeate my artwork in what I regard as “visual haiku”. I also love to convey texture and often find myself pulling out of chaotic scenes the essence of the textural beauty that
I find in nature.
In February 2017 I was honored to be the artist-in-residence at Zion National Park. I was an award winner in 2018 at the Center Choice Awards in Santa Fe, NM for my “Left Behind” portfolio.
In 2019 I was selected as one of the 200 Critical Mass Finalists for my “Seeing Silence” work. Also in 2019 I published a book with Dark Spring Press of “Left Behind”. In 2022 I received an honorable
mention for my “Hidden Places” portfolio in the Julia Margaret Cameron Awards in Barcelona.
I have exhibited nationally at the Center for Photographic Arts in Carmel, the Center of Fine Art Photographer in Fort Collins, the Yosemite Renaissance Exhibition, the PhotoPlace Gallery in Vermont and the Photographer’s Eye Gallery in Escondido. My work has been featured in On Landscape Magazine, Black +White Magazine (UK) and BETA magazine."
Images for Sale -
Circle of Light 10”H x 10”W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Fallen Aspens 9”H x 9”W
Archival paper
$225 unframed
Limited edition of 15
Signed on back
Lucent 9”H x 9”W
Archival paper
$225 unframed
Limited edition of 15
Signed on back
Pines and Fog 6”H x 9”W
Archival paper
$250 unframed
Limited edition of 15
Signed on back
Stopping 8”H x 4.5”W
Archival paper
$200 unframed
Limited edition of 15
Signed on back
Wild Abandon 9.5”H x 11.75”W
Archival paper
$275 unframed
Limited edition of 15
Signed on back
Contact: Jodie Hulden
jodiehulden47@gmail.com
www.jodiehulden.com
www.instagram.com/jodiehulden
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EXHIBITION #2
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/exhibition-2/1
THE MINDFUL LANDSCAPE HOME:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer&previewMode=yes
FIRST PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/first-place-steve-eirschele-artifact----/1
SECOND PLACE:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/second-place-margo-geddes-pasture-hawthorn----/1
HONORABLE MENTIONS:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/honorable-mentions-jodie-hulden-lucent-matt-connors-in-the-beginning-was-the-dream-annie-lemoux-almost-nothing-john-santoni-concretion-laurel-anderson-white-sands----/1
BEST SERIES:
https://laphotocurator.com/a-mindful-landscape-donna-cosentino-karen-hymer/best-series-holden-richards/1