CHILDHOOD: PAST, PRESENT & FUTURE- Laurie Freitag > FIRST PLACE: Annette LeMay Burke 'My Playhouse'
FIRST PLACE: Annette LeMay Burke 'My Playhouse'
MY PLAYHOUSE by Annette LeMay Burke
FIRST PLACE
(Click on image for larger view)
FIRST PLACE
(Click on image for larger view)
Curator Laurie Freitag's review: 'My Playhouse' takes me and perhaps the viewer back to another time. Just as images remind us of what has come before, in this case as Annette LeMay Burke uses the cabin as a backdrop for the image, it reminds me of my own childhood when my uncle would get out the 16mm projector and we watched 'old movies' of our family. To me it was magical. It was before I was drawn to photography and there was nothing better than seeing what our family looked like when they were younger. It was a record of a time to play back anytime. And that power to play back time is what ultimately drew me to photography.
LeMay's use of overlaying the image on the cabin or 'playhouse' speaks to home and memory. A playhouse is a harbor for a child to be alone with their thoughts, of honing their imaginations and projecting their inner most emotions. The child stands in the door welcoming the future and bidding fond farewell to the past, or just standing in the moment, being a child, as children do, just being present. 'My Playhouse' is really a special image that I'm sure could have many varied meanings to each different viewer."
Laurie Freitag asks Annette LeMay Burke, "'My Playhouse' is such a strong image. It speaks to the timelessness of childhood and home. What in particular did you hope to convey when you made this image?"
Annette LeMay Burke says, "This image is part of a larger series called Memory Building. In that series, I projected photos from my parents’ archive onto the surfaces of my childhood home and re-photographed the scene. By juxtaposing the photos from the past onto the present-day walls, I unearthed 60 years of engrained memories and tried to capture my family’s vanishing history that once permeated the house.
I am the child in the playhouse image. My initial thought when creating the image was to show that the space once belonged to me and also to note how much has changed with time. In the initial snapshot, I’m standing on the threshold as the playhouse is being built, similar to how we are on the precipice of the rest of lives as children and our character is being formed. In the final image, the building has weathered a lot and had many roles in its life, but is still standing."
Freitag says, "Did the Covid- 19 Stay-at-home orders play a part in this image?"
LeMay Burke says, "Somewhat. My childhood home is about 30 minutes from my current residence. It was one of the safe spaces I could work in 2020."
Freitag says, "Our past, present, and future are intimately linked by our memories. When you look at this image, what memories are clarified to you?"
LeMay Burke says, "While I had a lot of fun with my young friends in the playhouse, this image does not bring one particular memory to mind. For me it has a broader message—it clarifies how important it is to honor your inner child. Don’t forget that childhood sense of play and creativity. Try to see the world with a fresh perspective. The overgrown weeds show how easy it is to neglect that part of ourselves, but she is always there."
LeMay's use of overlaying the image on the cabin or 'playhouse' speaks to home and memory. A playhouse is a harbor for a child to be alone with their thoughts, of honing their imaginations and projecting their inner most emotions. The child stands in the door welcoming the future and bidding fond farewell to the past, or just standing in the moment, being a child, as children do, just being present. 'My Playhouse' is really a special image that I'm sure could have many varied meanings to each different viewer."
Laurie Freitag asks Annette LeMay Burke, "'My Playhouse' is such a strong image. It speaks to the timelessness of childhood and home. What in particular did you hope to convey when you made this image?"
Annette LeMay Burke says, "This image is part of a larger series called Memory Building. In that series, I projected photos from my parents’ archive onto the surfaces of my childhood home and re-photographed the scene. By juxtaposing the photos from the past onto the present-day walls, I unearthed 60 years of engrained memories and tried to capture my family’s vanishing history that once permeated the house.
I am the child in the playhouse image. My initial thought when creating the image was to show that the space once belonged to me and also to note how much has changed with time. In the initial snapshot, I’m standing on the threshold as the playhouse is being built, similar to how we are on the precipice of the rest of lives as children and our character is being formed. In the final image, the building has weathered a lot and had many roles in its life, but is still standing."
Freitag says, "Did the Covid- 19 Stay-at-home orders play a part in this image?"
LeMay Burke says, "Somewhat. My childhood home is about 30 minutes from my current residence. It was one of the safe spaces I could work in 2020."
Freitag says, "Our past, present, and future are intimately linked by our memories. When you look at this image, what memories are clarified to you?"
LeMay Burke says, "While I had a lot of fun with my young friends in the playhouse, this image does not bring one particular memory to mind. For me it has a broader message—it clarifies how important it is to honor your inner child. Don’t forget that childhood sense of play and creativity. Try to see the world with a fresh perspective. The overgrown weeds show how easy it is to neglect that part of ourselves, but she is always there."
Annette LeMay Burke says about her series, 'Character Building',
"It’s never easy to say goodbye to the places that have structured our lives. After my parents’ deaths, I inherited their home, memories, photographs and possessions. In this series, I’ve expressed my final farewell to my beloved childhood home by projecting my family’s photos onto the walls of the house. By juxtaposing the projected photographs onto the home’s surfaces, I have unearthed 60 years of memories engrained into the confines of our home.
While some memories may be fading, my formative experiences are rooted and intertwined within this dwelling. Even as the rooms are literally whitewashed in preparation for new owners, my memories still continue to resonate within its walls."
"It’s never easy to say goodbye to the places that have structured our lives. After my parents’ deaths, I inherited their home, memories, photographs and possessions. In this series, I’ve expressed my final farewell to my beloved childhood home by projecting my family’s photos onto the walls of the house. By juxtaposing the projected photographs onto the home’s surfaces, I have unearthed 60 years of memories engrained into the confines of our home.
While some memories may be fading, my formative experiences are rooted and intertwined within this dwelling. Even as the rooms are literally whitewashed in preparation for new owners, my memories still continue to resonate within its walls."
Annette LeMay Burke (b. 1964) is a photographic artist and Northern California native who lives in the heart of Silicon Valley. Numerous family road trips throughout California and the West honed her eye for observing the landscape. By eight years old, she had her own Instamatic camera and graduated to a Minolta X-700 as a teen.
While earning a BA in Earth Science from the University of California at Berkeley, she took her first darkroom class. After a career in high-tech, and studying design, Annette has now merged her interests. Her artistic practice focuses on how we interact with the natural world, the landscapes constructed by the artifacts of technology, and the more intangible artifacts that are created throughout our lives.
While earning a BA in Earth Science from the University of California at Berkeley, she took her first darkroom class. After a career in high-tech, and studying design, Annette has now merged her interests. Her artistic practice focuses on how we interact with the natural world, the landscapes constructed by the artifacts of technology, and the more intangible artifacts that are created throughout our lives.
Annette's first monograph, Fauxliage - Disguised Cell Towers of the American West (Daylight Books, Spring 2021), documents the proliferation of disguised cell phone towers and how new technologies are modifying our landscapes with idiosyncratic results.
Her work has been exhibited throughout the US and internationally at institutions such as Center for Photographic Art (CA), Colorado Photographic Arts Center (CO), Griffin Museum of Photography (MA), Texas Photographic Society (TX), Academy of Art Museum (MD), The Center for Fine Art Photography (CO), Photographic Center Northwest (OR), Canary Wharf in London, UK, and FotoNostrum, Barcelona.
Her work has been exhibited throughout the US and internationally at institutions such as Center for Photographic Art (CA), Colorado Photographic Arts Center (CO), Griffin Museum of Photography (MA), Texas Photographic Society (TX), Academy of Art Museum (MD), The Center for Fine Art Photography (CO), Photographic Center Northwest (OR), Canary Wharf in London, UK, and FotoNostrum, Barcelona.
CV
Education
1987
Selected Group Exhibitions
2020
2020
1987
- Earth Science, B.A., University of California, Berkeley, CA
Selected Group Exhibitions
2020
- 15th Pollux Awards Non-Professional Open Series (6 images), Honorable Mention, The Worldwide Photography Gala Awards, London/Barcelona
2020 International Juried Exhibition, Center for Photographic Art, Carmel, CA - Juror: Aline Smithson
TPS 29: The International Competition, Texas Photographic Society, Houston, TX - Juror: Elizabeth Avedon
2020 AOP Open Award (4 images), Finalist, Association of Photographers, London, UK – Curators: Anne Manion and Tim Flach
26th Annual Juried Exhibition Show, Griffin Museum of Photography, Winchester, MA – Juror: Alexa Dilworth
Annual Members' Show, Colorado Photographic Arts Center, Denver, CO - Juror: Ann Jastrab
The Road, South x Southeast Gallery, Molena, GA - Juror: Rich McCabe
The Contemporary Landscape, SE Center for Photography, Greenville, SC - Juror: Adam Monohon
New Photography II (2 images), Academy Art Museum, Easton, MD - Juror: Philip Brookman
2020 Members’ Juried Exhibition, Center for Photographic Art, Carmel, CA - Jurors: Ann Jastrab and Laura Sackett
Open Theme, Praxis Photo Arts Center, Minneapolis, MN - Juror: Ann Jastrab
The Best Medicine (2 images), Dickerman Prints Gallery, San Francisco, CA - Jurors: Ann Jastrab, Stuart Kogod, Seth Dickerman
The Road, JKC Gallery, Trenton, NJ - Jurors: Dana Stirling and Yoav Friedlander
The Ones That Got Away, The Curated Fridge, Boston, MA and Aline Smithson's Kitchen in L.A. - Curated by Yorgos Efthymiadis
- Urban Landscape, Texas Photographic Society, Houston, TX - Juror: Jamie Stillings
San Francisco Bay International Photography Exhibition, ACCI Gallery, Berkeley, CA - Jurors: Elizabeth Avedon, Julie Grahame, Ann Jastrab, David Garnick
Annual Members' Show, Colorado Photographic Arts Center, Denver, CO - Juror: Kat Kiernan
25th Juried Exhibition Slide Show, Griffin Museum of Photography, Winchester, MA - Jurors: Julie Grahame and Paula Tognarelli
TPS 28: The International Competition, Texas Photographic Society, Houston, TX - Juror: Arthur Meyerson
11th Anniversary Issue, May 2019, Issue 122, Faction Online Magazine - Editors: David Bram and Bree Lamb
PCNW 22ND Juried Photography Exhibition, Photographic Center Northwest, Seattle, WA - Jurors: Conor Risch and Lara Behnert
- 2018 International Juried Exhibition, Center for Photographic Art, Carmel, CA - Juror: Eve Schillo
Autumn 2018 Show, The Curated Fridge, Boston, MA - Juror: Kat Kiernan
The Portfolios (4 images), LightBox Photographic Gallery, Astoria, OR - Jurors: Michael and Chelsea Granger
Lies (4 images), Colorado Photographic Arts Center, Denver, CO - Juror: Richard McCabe
Landscapes 2018 (2 images), Honorable Mention, The Center for Fine Art Photography, Fort Collins, CO - Juror: Allie Haeusslein
13th Annual National Photography Competition (2 images), fotofoto gallery, Huntington, NY - Juror: Ann Jastrab
- 2017 International Juried Exhibition, Center for Photographic Art, Carmel, CA - Juror: Philip Brookman
Americana (2 images), Colorado Photographic Arts Center, Denver, CO - Juror: Darren Ching
New Directions 2017 (2 images), Barrett Art Center, Poughkeepsie, NY - Juror: Ruth Erickson
2017 California Open Exhibition, TAG Gallery, Los Angeles, CA - Juror: Scott Canty
2017 CPA Members' Juried Exhibition, Center for Photographic Art, Carmel, CA - Jurors: Elizabeth Corden and Jan Potts
- The Perimeter of the World, Contemporary Travel Photography, RayKo Photo Center, San Francisco, CA - Jurors: Ann Jastrab and Judy Walgren
One Shot: One World, IPA (Int'l Photography Awards), Honorable Mention - Jurors: Amy Wolff, Damien Poulain, Robert Berman
Mainland, The Kiernan Gallery, Lexington, VA - Juror: Stella Kramer
2014 Juried Exhibition (2 images), Center for Photographic Art, Carmel, CA - Juror: Diana L. Daniels
Five Elements, Darkroom Gallery, Essex Junction, VT - Juror: Eddie Soloway
New Color Photography, Black Box Gallery, Portland, OR - Juror: Kelli Pennington
- Finalist - 2020 AOP Open Award, Association of Photographers, London, UK – Curators: Anne Manion and Tim Flach
Honorable Mention - 15th Pollux Awards Non-Professional Open Series, London/Barcelona
Honorable Mention - Landscapes 2018, The Center for Fine Art Photography - Juror: Allie Haeusslein
Finalist - Photolucida Critical Mass 2017
Jurored Participant - CENTER Review Santa Fe 2017 and 2020/21
- Fauxliage, Daylight Books, Spring 2021
2020
- Modern Photographer Listing, All-About-Photo.com, by Sandrine Hermand-Grisel
- Photo of the Day, Don't Take Pictures Blog, by Kat Kiernan
Annette LeMay Burke: Fauxliage, All-About-Photo.com, by Ann Jastrab
Career Highlights
In 2017, she was a finalist for Photolucida’s Critical Mass. In 2020 she was a finalist for the UK’s AOP Open Award, and received an honorable mention for the 15th Pollux Award Open Series. Her first monograph, Fauxliage – Disguised Cell Phone Towers of the American West, will be published in the spring of 2021 by Daylight Books.
IMAGES FOR SALE
My Playhouse - 13”H x 17”W
Archival Pigment Print
$450 unframed
Limited edition of 12
Signed on verso
Dining Room Dinghy - 13”H x 17”W
Archival Pigment Print
$450 unframed
Limited edition of 12
Signed on verso
Christening Day - 13”H x 17”W
Archival Pigment Print
$450 unframed
Limited edition of 12
Signed on verso
Contact: Annette LeMay Burke
http://www.instagram.com/atelierlemay/
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HOME PAGE:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag
FIRST PLACE:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/first-place-annette-lemay-burke-my-playhouse----/1
SECOND PLACE:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/second-place-anne-berry-magic-shell----/1
THIRD PLACE:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/third-place-marsha-guggenheim-the-portrait----/1
BEST SERIES:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/best-series-anne-berry/1
HONORABLE MENTIONS:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/honorable-mentions-cheryl-clegg-chel-delaney-katie-golobic-mariette-allen-michael-cohen-natalie-obermaier-olesya-konovalova-oliver-raschka-paula-rae-gibson-rita-nannini-samantha-brinkley-susan-lirakis-and-ruth-lauer-manenti-/1
EXHIBITION #1
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/exhibition-1/1
EXHIBITION #2:
https://www.laphotocurator.com/childhood-past-present-future-laurie-freitag/exhibition-2/1